Quotes About Showrunners

It's pretty inappropriate of fans to think they can expect any kind of narrative from showrunners or writers or actors. I just don't think that's the way you should engage with material that you're watching as a passive audience member.

There's so many gatekeepers to getting in front of showrunners or executives. If we pull those middlemen out, and we get women in rooms with the executives, the people hiring, it seems to break down barriers. Because they can no longer say, 'There just aren't any women to hire,' when you're surrounded by fifty of them.

Greg Berlanti, Marc Guggenheim and Andrew Kreisberg are fantastic producers and showrunners, and they lead a very, very positive, fun, creative environment to work in and to work with.

For me, always, the big inspiration really comes from talking with my creators, my showrunners and my producers, and seeing what is their vision for their project.

I think my biggest problem as a creative person trying to work within a business for profit was that it was very important to me that people liked me. Over the years, observing other showrunners who made work that I so admired, I realized that that had to go. This couldn't be my first priority. My first priority had to be the work.

In TV, writers generally are the show runners, and they have enormous control over everything. In feature films, very often the writer will turn in a script and never be heard from again.

Putting any show on television is a challenge. I've been very lucky to work with incredible showrunners on 'Smallville' and 'Lost' and 'Heroes.' I hope to bring a lot of those lessons to Marvel live television.

I really do see everybody at Marvel Television as storytellers. They might have different titles, but whether they're actors or they're showrunners or they're somebody that answers the phone, all of them are storytellers.

TV showrunners have become known entities to people who watch television in the way that movie directors have been known to filmgoers for a long time. When I started out as a writer and producer in television, I never had the slightest expectation that fame would be part of the job.

Sometimes the fans want it both ways, of course. They want to feel like they're influencing the show, and at the same time, they want to think that showrunners have the story all mapped out in our brains. But it can't be both. In truth, we were usually far ahead of the fan feedback.

What you don't want is just to say, 'All showrunners need to be half women and half men,' because then, for men and women, you could get inexperienced people doing those jobs, failing, and then not getting the opportunity to do them again.

Television showrunners are a foolishly optimistic bunch.