Quotes About Creative

And I like to interpret music. So I think it's all interpretive.

An artist is a provincial who finds himself somewhere between a physical reality and a metaphysical one. It's this in-between that I'm calling a province, this frontier country between the tangible world and the intangible one. That is the realm of the artist.

Un título contundente. El doble gancho de una buena premisa ha de incluir un gran título, uno que «diga de qué va» y lo haga de forma ingeniosa.

UNA IMAGEN MENTAL SUGERENTE

People who choose to stay private and closely held and to place other goals ahead of growth get two things back in return: control and time. The combination equals freedom—or, more precisely, the opportunity for freedom. I wanted to include those who had made the most creative use of it.

They all helped make me a more confident player, and with more confidence comes the desire to try different and more creative things on the ice. That lesson in building a player's confidence is something all coaches need to learn. It worked back then, and it still works for today's players.

We are genuinely customer-centric, we are genuinely long-term oriented and we genuinely like to invent

Her makeup looked as though it'd been applied with a paintball gun.

What matters most (and it is the central point of this book) is that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation that I call poetic misprision.

I always say writing a play is like toothache: I find it incredibly painful, and it's only once the play's out that the pain is gone.

For a director and a producer to be named on the writing credits is practically unheard of.

I can get really obsessive. I like writing many drafts, and I try not to because it is very time-consuming, especially when you're working on a novel. But I do like to take a story and reorder it, put things in different places. This allows me to see things in a new and sometimes surprising way.

I've been writing music since I was a teenager. I play keyboards. I'm not much of a player, but I can write. That will come along. I'd like to do a musical.

Poetry is something that happens in universities, in creative writing programs or in English departments.

Seriously, you know - I love to write. I enjoy the process; I enjoy the different processes, because writing for film and television and graphic novels is all very different. So I've never had the feeling of, 'Oh, you have to do this one thing.'

The writing process isn't something I'm in love with. I'm an illustrator who writes.

I think it's important to say typing in the computer is like the last, last phase of my writing process. That's kind of the fun part. Well, it's all somewhat fun, I suppose. But usually what happens is I think about a movie for at least a year - maybe a couple more - and I don't put anything down.

In live-action, writing, production, and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors, and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.

I like the story writing process. I usually use someone who has been trained for structure to take the story that I actually want, place those elements in the right places.

I was in the middle of filming Season 3 of 'Grace and Frankie.' Then the writing process for 'Mystery Science Theater 3000' was happening at the exact same time. And then the pre-production for 'Fatherless' was happening at the exact same time as well.

My writing process hasn't changed - it's is the same whether I'm working on a Y.A. novel or, as now, a new novel for adults. A lot of reading, a lot of research if the subject warrants it, a lot of sticky notes and scraps of paper - and get to work.

It's not writing in the traditional sense, but I've always said that the writing process continues on the set and even into the editing room.

There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.

I think theater is very much my natural home. But the truth is that the older I've got, and the more I've written film and television, I find it incredibly hard to write theater.