Quotes About Creative

I am Warhol. I am the number one most impactful artist of our generation. I am Shakespeare in the flesh. Walt Disney. Nike. Google.

I love to direct! I get really jazzed by directing, but directing is not the same kind of personal expression, the same kind of personal intimate expression that writing is. Because when you're directing, you're basically managing, basically getting out of people doing their job, except when you see them going astray.

I don't like to work with stylists - I find the relationship too intimidating - but I love fashion.

My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules. I didn't know it, because I hadn't been in the business.

I decided to do whatever I could to make sure the business side of music didn't intrude on the creative part.

Neymar is growing and is one of those players who invent things. He always has something more to offer.

We were very kooky and inventive, and it didn't take long for my parents to realize we should all be auditioning for things.

Kurosawa was truly inventive.

Scouting is like CIA work and investigative work. You create a lot of stuff and try a lot of stuff. Some works and some doesn't. I try to get creative.

Australia, most of the filmmakers there write a film and they direct it. There's a lot of writer/directors there, because nobody wants to write a script and then let it go when they've had that much of a personal investment to it, because you're not getting paid huge amounts of money in Australia to direct.

I got to the point of insanity, but I also got out, but during the insane times, I felt invincible, and I felt creative and wonderful, too, but I was also hiding something.

I want to try and be as involved in the art of filmmaking as possible. I feel that the only way to really do that is to take on as many roles as possible, whether it be as an actor, an editor, a director, a cinematographer.

It is the responsibility of filmmakers, actors and writers, who have the freedom to do the kind of work they want to do irrespective of whether it is good or not.

When you make an exploitation film, you always want to have a real issue. That's how they were always done.

The magic of 'Jack' is that it's unique, there's not a lot of stuff like it.

Journey was a jazzy jam band when they first started. They were very out there.

A role I grew up with and always loved was James Bond. I'd even say, in some ways, that he served as a creative role model for me as a kid in terms of roles I would want to play. I watched all of the movies growing up with my dad, so to be Bond himself would, without a doubt, be my dream role.

Usually, when we write in The B-52s, it's quite a collaborative process. We really take hours - and sometimes days - jamming, and then we listen and listen to them and go, 'Oh, let's use this part, and then this part.' It's really like a collage.

Jason Statham is one of my favorites. I've watched basically every single one of his action movies, and they're all creative.

Jason Woliner and I have been longtime friends and collaborators.

I've done two movies with Jim Mickle. He's somebody that I'd love to do another movie with.

I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.

I'm one of those people who never really joined the grown-ups.

My first gig ever was writing looplines for a movie that had already been made. You know, writing lines over somebody's back to explain something, to help make a connection, to add a joke, or to just add babble because the people are in frame and should be saying something.