Quotes About Creative

All my movies are difficult to classify because they are very eclectic in mixing genres.

I wanted to do a project that was seamless and had all the ingredients from start to finish, from conception to mixing and mastering.

I don't really have special rituals, but I don't try to write fiction unless I have a minimum of a few hours. For me, it takes a while to settle into a mode where I'm truly concentrating.

I haven't really tried to write a movie. It's tough to get into that mode.

As a model you need to be able to do the craziest things.

We continue to see summer as a great place for unique concepts, innovative business models, and passionate television audiences.

I want to reiterate the fact that at the core of it all, I am a designer, a creator, and as a creative person, I will choose to be limitless in the extension models of my various ideas on design.

I am the sort of guy who does go to modern art shows.

I got the Mr. Incredible mold - the 3D, you know - it's cool.

The momentum of my creative life and intellectual growth is still the momentum of breaking out of fundamentalism. Because of that, I'm very grateful for it. But I'm also grateful that at the center of it was something that I still believe to be true - those fundamentals of faith.

What happens is, you write a spec, people get it, they see your writing, they see you're good, they bring you into their office, and they say, 'Boy, that spec was really good - we'll never make that in a million years. We have rights to the board game of Monopoly. What do you think about a Monopoly movie?'

It's such a risk to write a novel that it's easy to become conservative - you're spending what would be, for me, a couple of years of my life on a single idea. Which is maybe one of the reasons I write stories - if it doesn't work, you've only lost a month.

I'm only at home for, like, a month when I'm doing an album - at the most.

I want to be one of those serious, moody writers.

I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.

I've been directing more and more the last few years, I find it an enjoyable challenge.

It's the business of movies, it's the fights that go along with the level of budget, and more than anything, it's the creative constipation of having to live with one idea for two or three years. It's just not that fun.

I liked film-making, but the most difficult thing was the editing. I found it tormentingly difficult.

Mostly, I don't write overtly personal stuff.

I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.

Unfortunately, the record I did with Motley wasn't exactly a huge success. But working with those guys was a huge learning experience as well as a really creative time, so I had an absolute blast during that five years of my life!

The modern picture of the artist began to form: The poor, but free spirit, plebeian but aspiring only to be classless, to cut himself forever free from the bonds of the greedy bourgeoisie, to be whatever the fat burghers feared most, to cross the line wherever they drew it, to look at the world in a way they couldn't see, to be high, live low, stay young forever -- in short, to be the bohemian.

The Almost Free Theatre, the Fun Art Bus and the rest of them were phenomena of a decade which was simultaneously playful and desperately serious; and

No mischlinge in journalism, the creative arts, the performing arts, literature . . . Culture is verboten.