Quotes About Creative

Growing up in New York has influenced my style so much, and I have an amazing relationship with my stylist, Estee Stanley. We have so much fun with the whole process. She picks out dresses, I try things on and play dress up, and we get creative to see what works.

I'd be a covert operative whose top-secret mission is to make stuff up.

I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.

I've got a new invention. It's a revolving bowl for tired goldfish.

I went to an amazing school in Brooklyn called St. Anne's that's a really kind of creative hot bed.

If you're writing, you're starting in private. It can really be this amazing, private, freeing experience. Forget that it's for other people - that comes in later.

Curiosity about life in all of its aspects, I think, is still the secret of great creative people.

Apparently, when conditions were right, peoples of all world regions were quite capable of transforming wild plants into domesticated crops—a good point to keep in mind when next you hear someone claim that some cultures (usually their own) are more inventive or creative than others.

I'm very fond of experimental housekeeping.

No other expertise can substitute for locality knowledge in planning, whether the planning is creative, coordinating or predictive.

His full name is Ricardo Carlos Mañoso. Second generation Cuban-American. Was Special Forces. Works for Vinnie now. He makes apprehensions other agents only dream about. He gets a little creative sometimes, but hey, that's the way it is with a genius, right?

made myself a peanut butter and olive sandwich

I love to do animation movies, and those might be some scores that are lesser known, unless you really kind of dig through my work and see.

Filmmaking is a very collaborative art. Unlike a painting that an artist paints sitting by himself, as a director, you have to work with a team.

Unlike other peoples the United States found their origin in a deliberate act of corporate self-assertion, and ever since the Revolution every little American has been taught to associate himself personally with this creative act.

When I was going to get ready to take 'Dietland' up, I have to say I was surprised to find that I felt like maybe we wouldn't find a home for it because it's unlike anything else that I've done.

Competitions are great. Unlike a lot of other creative industries they are a great way of climbing the ladder early on. If you win a comp you get on the big clubs' radar. Some people are not great at competitions, so it doesn't work out for everybody, but it is certainly a good way of getting seen by industry people.

Unlike so many producers who sit in their offices and operate from there, I take pride in calling myself a creative producer.

My training ground has been my interest in watching movies. Unlike most other directors, I haven't assisted anyone.

On 'Handmaid's' you are given complete freedom - unlike some shows where you're really expected just to 'fold in' and 'deliver the script' and 'put the camera where we normally put the camera.'

If 'formulaic' is somebody who is unlikely to succeed starting down a process and succeeding - then isn't that what most films are about? And art films are about people who aren't likely to succeed and then don't succeed.

It seems quite unlikely that I'll make a masala film.

My site is a little unorthodox without being totally inaccessible.

My way of directing is definitely unorthodox, definitely unconventional.