Quotes About Creative

I like Telecasters because they are so versatile.

I am a versatile actor and ready to experiment.

Poets can't resist the dramatic pull of their lives and so inevitably write autobiographical verse.

So it is in poetry. All we ask is that the mood recorded shall impress us as having been of the kind that exhausts the imaginative capacity; if it fails to do this the failure will announce itself either in prose or in insignificant verse.

I will write a verse or a story and bring it into a songwriting session, because that's what's big in Nashville - the collaborative part of songwriting.

Once in a while, I do these things that would make the 10-year old version of me laugh. I don't know why. You've got to do something a little bit immature. I'm surprised at how often those are my best ideas.

swift, athletic timing. I had to shout from the

Accomplishments, both professional and creative, feed into this level, as do yearnings for joy, happiness, and glory, which are manifested through team activities, hobbies, and other forms of shared participation. In other words, that which brings us together—and tears us apart—in the name of esteem.

Every prosperous person who does not work has a creative scheme that does.

Most of Tina Modotti's work that is known to the photography world was done in Mexico in the years 1923 through 1926, when she lived and worked with Edward Weston.

To be honest, my social life is my work. It's quite boring to say, but I meet a lot of people, and we have people from different creative disciplines. I enjoy life right now, and I enjoy work.

I work with all these amazing voice actors that do a kajillion voices.

I'd be flattered if someone said that my work is "too weird" for them. I value the uncompliment.

I'm not going to work with a company that uses my artwork, which is precious to me, and not allow me to do certain things.

I try to be a lot of things for the authors I work with - a careful reader, a helpful friend who also happens to be an experienced writer, a thoughtful editor, and a creative midwife.

There are always a lot of leading questions and opinions. Of course, our work is creative, and it's subjective.

I'd always wanted to work in television once I found out that they started to hire independent filmmakers to direct.

Even while you're in dead earnest about your work, you must approach it with a feeling of freedom and joy; you must be loose-jointed, like a relaxed athlete.

My relationship with my readers is somewhat theatrical. One of the main things I try to do in my work is delight my readers.

When I do have time to work on music, I'm kind of selfish, and would rather work on my own stuff than someone else's.

I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.

Sometimes as an actor you're struggling to make things work. That was never the case for me with [Big Little Lies script]. It just kind of flowed out.

It is not the being paid money in advance that jars the sensitive artist: it is the having to work.

A film set is a workplace for me; it's my office, and nobody really wants to be in a stressful work environment.