Quotes About Creative

How I work is I work from of very character-driven place. And I trust the writers.

Fear inhibits learning. Research in neuroscience shows that fear consumes physiologic resources, diverting them from parts of the brain that manage working memory and process new information. This impairs analytic thinking, creative insight, and problem solving.15 This is why it's hard for people to do their best work when they are afraid.

they used merkins on shoots to avoid X ratings; prosthetic hair was an R, but real hair was an X.

Vern actually installs an all-white ceiling fan in his room! He points out that it's a Trading Spaces first. (Season 3, Episode 2)

things we could not use in our speeches. Saws … amphibians … fire … peanut butter and socks—don't ask! … ropes … pudding …

I write on weekends, on vacation, and, really - on deadline and on my floor. Both terrible for the back.

With my job, I am designing spaces for families on a weekly basis, and that is where I get my creative outlet.

With 'Being the Elite' you'll see some of the most innovative stuff, but it's going to be very different then the weekly TV show. But that's by design and I want to keep it that way so you'll have outlets to see different things.

I went into this job to do plays, but that's here for 10 weeks, and the rest of the year I do a lot of other things-the administrative work of planning, reading plays.

I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80-hour weeks.

I'm thinking about a few weeks in Montreal to work with a producer I met there.

I'm sure lots of actors and creative people go through this, where you have some weeks where it's all going according to plan and some weeks where you're super frustrated.

The beauty of voice-over work is that maybe you come in and record once every two weeks for a couple of hours and do a couple episodes a session. It's awesome! You spend an afternoon playing in the booth, and there you have it. It doesn't interfere with much.

I had thirty weeks of prep on 'Captain America.' I have a small team of qualified, supportive, creative producers who are actually helping me achieve my vision of the film. I had a dream cast headed by Chris Evans. I had the best designers, artists, sculptors, craftspeople.

Our music is weird. It's not pop. I don't know why so many people buy our records.

Acting is such a personal thing, which is weird because at the same time it's not. It's for the consumption of other people. But in terms of creative outlets and expressing yourself, it's just the most extreme version of that that I've ever found. It's like running, it's exertion.

I was a manic and eccentric kid. In my head I was very busy, so I must have seemed weird.

I tried to score a few films with this composer Brian Reitzell here in L.A. We made a bunch of music we really loved, but we got fired from the film for being too weird.

I'll be seen as eccentric, like Vic Reeves or Spike Milligan, which would be amazing. But I suppose I'm in this weird transitional period between having some success doing weird stuff and not being eccentric yet. I'm in limbo.

I just find it weird if you're in a band and you don't know how to make it look the way it sounds. You really need to be involved with the entire creative process in order for it to totally work.

I'm an artist and an engineer, which is, increasingly, a more common kind of hybrid. But I still fall into this weird crack where people don't seem to understand me.

The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters.

As a little kid, I suppose I was a little weird.

It's a very weird thing, making a true story, because you need your freedom, as filmmakers, to do what you need to do.