Quotes About Creative

Greg Berlanti, Marc Guggenheim and Andrew Kreisberg are fantastic producers and showrunners, and they lead a very, very positive, fun, creative environment to work in and to work with.

I don't like begging money from producers.

I did a record with a producer, and the good producers eat up the budget, so I didn't have any budget left to produce this record. I had to produce it myself.

To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.

My hands are already full writing and directing, because that's a full time job. Actually, that's why I don't produce as well, as there's already enough producers.

The producer is at the center of entertainment. The producer is being forgotten, and producers must seize the center of activity.

There's a constant dialogue going back and forth between the filmmakers and the producers.

I could never work in that kind of commercial environment where the stars have a lot to say, where the producers kind of push you around and tell you who to cast and who not to cast. I'm just not interested in that at all.

As a director, I've wanted to have adventure in my life, creative adventure. I think it's partly because I grew up, basically from age six to 26, mostly on television series where the producers find something that works and then do it over and over and over again.

On every film, there are producers all over the place, and everyone's got to have an opinion. I think the screenplay is a beautiful form with great potential, but the environment around it is awful for a writer.

I believe in the producers at Constantin, and I know that they have a really good taste level when it comes to the creative side.

My dad always produces, and I would always sit in producers' meetings with him. I like the whole thing of putting a movie together. I think that's very exciting.

I always feel that the best kind of producing - and frankly, it has to do with what I like to do - is you're the big-picture person.

I've been doing a bit of screenwriting and producing, and even a bit of directing.

I'm actually pretty good with computers. I use computers when I'm working on making and producing music, so I do know a thing or two!

With the Rhythm Kings, I can involve myself in arranging and producing the music as well as the choice of songs.

I'm more interested in producing than acting.

I really like to act, and I really like to perform. I enjoy producing as well.

After I did television, I just felt I didn't have any more to give to the medium. And so I went back to the theatre and started directing and producing, and found I enjoyed it as much, if not more, than acting.

Producing is a way of finding a great script that nobody's making, and believing in it, and doing what you can to get it made. It lets you work with your friends, people you really love to do something with.

I produce more movies than I write, but when I write, it is such an immersive, intense process that it probably takes as much or more time than producing multiple movies.

In the end, I was producing movements for over 40 Oompa-Loompas.

Whatever I do - whether it's directing, producing - I just come at things from characters, from stories, from jokes and scene rhythms. I'll always have that at the epicenter, I think.

Arsene Wenger has not just brought success to Arsenal. He is a very creative manager, producing almost fantasy football.