Quotes About Creative

I've always thought of the project as a sort of sexually driven digestive system, that it was a consumer and a producer of matter. And it is desire driven, rather than driven by hunger or anything like that.

I was hired to do this one great script called 'Cap'n Ricky' and that project is up in the air at the moment.

I think whenever you have a product you are always trying to improve it. Whether it is a commercial project out on the market or it's a creative collaboration, you are always looking to keep you audiences more engaged.

I sang throughout school, and it was always my passion. For whatever reason, acting took the front seat, but all of the projects that I've been doing seem to have some sort of musical element to them.

I'm trying my hand at writing. I'm writing a couple of projects for HBO, a half hour comedy and a miniseries.

I already have a production company called J Squared and we're working on two projects.

I'm definitely picky about what projects I take on. They have to be things I'm passionate about. I actually get to be creative when it comes to my mobile game. It's really cool.

But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference.

I just want to work with good filmmakers and do good projects that mean something to me and play interesting characters. That's really it.

I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.

I have a theater company that I'm a part of, Colt Coeur, and they do some really rad projects.

Yes, I am very prolific.

I've always been a very prolific writer.

I'm barely prolific and incredibly lazy.

George is so prolific as a writer.

I always had this concept of mobile theatre, to promote the learning of acting.

It's hard. It's hard to get a film made properly.

When any young director gets hired by a studio to do a $125 million film based on a preexisting piece of intellectual property, they're climbing into the meat grinder. And what you're coming out with on the other side is a generic, heavily studio-controlled pile of garbage that ends up on the side of Burger King wrappers.

I am working with writers and producers to have a more proprietary relationship over shows, having more ownership and creative control.

I was a dramatic kid. I remember, I was very young, and once I knew what I wanted to do I, like, created a theater company, and I would direct, and we would sell lemonade to buy props.

I think graphic novels are closer to prose than film, which is a really different form.

I come from a prose background. I come from short story background, and that led me into novels.

I often meet directors who want to cast me as the protagonist, but if the rest of the characters are not strong enough, the film is bound to fall flat on a creative level.

Every film is like a baby for me; it's like my own child. I feel protective and aggressive each time my film hit theatres.