Quotes About Creative

I'd like to helm my own series. Something British.

I like to be involved with the scriptwriter early on, helping shape the story, and working out how the story can be told directorially.

When I was going to film school, before film school, my hero was David Lynch.

'Shadow Hero' was a dream to work on.

Part of me wants to stay hidden; it's no coincidence that I write movie music. It lets me stay in the shadows, in a way, but still lets me be expressive.

When I'm working on an idea I have a very high level of expectations. If we do a video it has to be high level. Artwork has to be really good.

Directing a film in Hindi is definitely on the cards.

Vipul Shah wanted me to do the Hindi adaptation of my film 'Kaakha Kaakha.' I declined the offer.

Divine Fire The fire of God, which is His essential being, His love, His creative power, is a fire unlike its earthly symbol in this, that it is only at a distance it burns—that the further from Him, it burns the worse.

But every writer, especially every novelist, has a 'message,' whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda.

The American economy is the most creative and enterprising and productive system ever devised.

Sadness is the matrix from which wit and irony spring; sadness is uncomfortable and creative, which is why consumer society cannot tolerate it.

I'm very artistic and creative, disorganised - ambitious, I would say, if that even makes sense. I'm definitely not the most mathematical person in the world; not scientific. I can't even work out a tip; it's really sad. But I've always thought, play up your strengths and let someone else handle your weaknesses. It's OK. Work together.

I hope that we can continue this cooperation on other critical issues related to America's future technological competitiveness. We must work together to encourage the creative talents that have made our country the world leader in technology.

Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.

I like to stay busy. I am a workaholic, and I like to be creative.

A producer is always behind the scenes, even more in the movies - nobody sees you. I didn't even meet most of the actors. When I worked on 'Top Gun,' I never met Tom Cruise. You were always in the background.

Inside, I've got a real purist desire and dream about the music. I like the idea of being able to carve out a kind of magical, colourful, artistic, inspirational life. And the reality just turns out to be quite different, working with the business to bring this thing you have created into the world.

The great thing about working in comics is that visually, you're the sole voice. You have to figure out the staging, the lighting, the composition, the character emotions, the action. You get a script, but you're trying to work it out in individual panels. It's a terrific exercise in creative thinking and creative problem-solving.

Mr. Philippe Zdar is a little bit like the uncle of the whole Daft Punk-Phoenix-Air thing in Paris and known for being in the group Cassius. It was interesting working with Philippe.

It is a matter of great indifference to me what criticism is printed in the papers and the magazines. I am simply working out my own ideas in my own way.

I'm universal. As much as I can get out a 'Firework' with Katy, I can get a 'Lil Freak' out with Usher. Or a 'Lay It Down' with Lloyd. I can get Caribbean as I did on 'Rio,' then go from there to working with No Doubt.

When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.

I want to be a bi-continental working actor and writer.