Quotes About Artistic

Music I can discover a part of myself that I haven't been able to for a long time, and acting is the opposite. I'm in love with both of them and I would never choose one over the other.

When I first came out, like a lot of the artists at that time, I had a very polished, very overproduced sound.

Many cartoons I've drawn have been controversial, perhaps a little before their time, certainly when I was getting started.

I always drew. I don't remember a time when I didn't draw. And I actually drew comics from the age of maybe ten through twelve.

I'm always very conscious because I like to give time between records, even though I feel like I write music that will last it's time, whatever time that is.

Yes, I am a failed playwright. I had three shows on Broadway by the time I was 30. They all flopped, and I fled.

There's only so much artistic output that I can actually expel at any one given time.

I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.

Having animation as this time-based medium made a lot of sense for me, and then stop motion was even more fun because it was so hands-on and physical in a way that I really liked.

I was one of those kids that always drew all the time.

I always make music that's reflective of the mindset I'm in at the time, how I'm feeling.

I always make music that's reflective of the mindset I'm in at the time, and how I'm feeling.

In the bedroom time I have generated thoughts, and then in the studio I take those thoughts and try to shape them into something.

I like all kinds of music but some of my all time favorites are P.I.L., Yoko Ono, T-Rex, and Anton Karas.

I learn a lot from acting, but it's not my natural way. I can't help but write; I do it all the time. It's a condition of being for me.

The 70's was a great time for artistic expression in Jamaica and I was in the heart of it, unconsciously soaking it up and paving my future.

I wanted to be a cartoonist. I was one of those kids who sat around and drew in my room all the time.

Films take up so much time, and with theatre, you do have to plan a period of time that you can be free.

I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.

I'm developing the stuff all the time. There's a film in my head. I'm imagining a film.

I guess, I ended up finding music to pour my curiosity into. It was my creative outlet and therapy at the same time.

The government of my country snubs honest simplicity but fondles artistic villainy, and I think I might have developed into a very capable pickpocket if I had remained in the public service a year or two.

The muses are wicked and wonderful, devious and delightful, not to be trusted and not to be ignored. Thank God we have them.

The ad world used to be something of a refuge for literary types. But I feared for myself at J.W.T. It seemed to be entirely peopled by blocked dramatists, likeably shambling poets, and one-off novelists. The whole place felt like a clubworld sunset home for literary talent.