Quotes About Artistic

If I see something that inspires me, I'll dress like it.

When I work on a part, one of the things I love to do is to put together a collage of things, stuff I see or stuff that inspires me, images, whatever.

What I learned from doing 'The Graduate' was it doesn't matter what the medium is... as long as the material is inspiring and the characters are well written.

When I was living in New York, I tried to make it work for a year, but I didn't really have my own space to be creative. It was really inspiring, but I think that coming to L.A. has allowed me to take a breath.

Instagram really gives me a chance to be creative.

I think people are feeling more artistic and creative with something like Instagram that makes editing easy. That's a good thing for sure.

It is a little bit demoralizing to work a show, and you just try so many times to get something, and the creator just keeps saying, 'No, not that.' Then they just instantly come up with something.

The Malayalam industry is down to earth and instantly recognizes talent.

Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.

Progress is hard to measure in any creative endeavor, I think. It's often a matter of instinct, of feeling your way through what works and what doesn't.

I want to try and be instinctive as a writer and director.

When I am making a film, it's very instinctive, it's not preset.

More than influences, my music is based on instincts. I make music to match the script and the world of the film.

I've always been in institutional theater.

I tried to embrace the concept of the sampler as an instrument, looking at how to take it artistically to another place where it can be appreciated, more than just taking someone's song and doing a 4-bar loop.

For 'Lonerism,' I really wanted make a non-psychedelic record. That's why the dominant instrument is the synthesiser, but maybe it didn't quite turn out that way.

I start with the aim of making something instrumental, and then I'm just like, 'Agh, no, it's not interesting enough. I've got to say something here.'

With something like 'Second Sun' it was something I'd never really done before. It has no drums and I think that was the first time I'd done this sort of instrumental, bass-less kind of piece.

I play instruments and stuff, but I can't rap or anything like that.

My records have a lot of collaborators on them, and when you're writing a book, it's a very insular process that's very confusing and dark. It's a lot of writing and rewriting in a way that I don't do so much when I'm writing songs.

We got full artistic integrity and autonomy over what we were doing, and that was the main important thing that kept our band alive.

I try to find the right director who won't compromise his or anyone else's integrity, and yet be political enough to give the studio what they want, yet put up a fight to maintain that integrity.

I sometimes feel that the world is a very uncivilised place where it is meant to be at its most civilised. Where it's meant to be intellectual or artistic or compassionate, it isn't, and that makes me very angry.

When I was at the Group for Musical Research, with this idea of discovering electronic music, I quickly realized that that it was a very interesting and exciting approach to music, but I also saw that it was very intellectual and quite dogmatic.