Quotes About Artistic

Sometimes I want to yell on this track; I want to yell the whole song, and I don't think nothing's wrong with that, but the older generation feel like you can't.

Instead of yelling and screaming or losing myself all the time, I release everything in my music, and that's kind of how I expel my demons, as you would say.

The tough thing about radio is I've met a lot of people in it who like my music. But it's hard for them to figure out how to play what they like when there's somebody up above them yelling 'you have to play this.'

My house really is purple and yellow and hot pink and light green and orange.

I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.

We're not afraid of risking what was our success yesterday in order to explore some new field. We're adventurous. We like the challenge of unknown territory, unknown artistic field, and that's what stimulates us.

You can't just sort of come with, say, 'Yesterday,' or 'A Hard Day's Night,' and it be in the wrong place in the wrong show, and expect the song to work theatrically.

Sculptures created from found materials like ice and thorns, driftwood, and even bleached kangaroo bones all presuppose that artistic design will yield to the cycles of time and climate, whether over an hour or a decade.

When I brought 'El Topo' to New York, no one understood the picture. But John Lennon understood. John and Yoko Ono, they presented 'El Topo' in the United States; they introduced it.

I was performing in New York and my friends started to call me Gaga, they said I was very theatrical and they said, 'You're Gaga'.

New York is so serious about the creation of work. Everything is happening so fast, it feels like there's another studio, another session on every block, and I love that.

All sorts of creative communities are withering in New York because it's too hard to live here. It's ridiculous how expensive it is.

On many days my primary artistic struggle is, in fact, photography because it is harder to do good work with that. I see myself as an observer of the world who has a strong drive to testify, which I can do because I have the privilege of living in New York with enough food to eat and shelter.

I moved to New York to pursue music.

There are two ways to go about it. You can take a compass and draw a perfect circle and make two perfect eyes as neat as can be. Or you can do it freehand and have some fun with it. Like I did. Give it character.

I've been asked why does Ireland produce so many great musicians, and the answer is it doesn't. When you count the great musicians Ireland has given the world in the last 20 years, you can do it on one hand.

My grandma, Edith, was one of the greatest inspirations in my life, both personally and professionally. She was an incredibly talented artist who shared her creativity with me from a young age and was a driving force in the launch of my jewelry line.

My father was the artistic one. At a very young age, my father realised I had a strong voice and made me learn Hindustani vocal. I was five. I have Dad to thank for introducing me to the finer things in life.

Hearing a lot of early rock n' roll records from a very young age was a huge influence.

I have sketched since a young age, so there's always been an artistic side, a visual side to my personality.

Moliere and Arthur Miller affected me at a very young age. In adulthood, I became overwhelmed by Chekhov. Those are my big theatrical influences.

I feel like one thing that a lot of creative people go through is that they feel like they don't have the right to be creative or to put their stuff out there. I'm glad that blogging from a young age kind of got that out of the way for me.

I think, probably, being a young artist, there were a lot of things I thought I knew and I wanted to do, and I was like, 'Oh! That's what I want to do.' And then it took me in a different direction with 'I Think We're Alone Now,' and then all of a sudden, I was a pop star.

It is only after years of preparation that the young artist should touch color - not color used descriptively, that is, but as a means of personal expression.