Quotes About Artistic

Being on television is a little constraining. You spend six to eight months filming, and you get stuck in that gear. I feel like doing movies is a lot more my style.

When I heard my first rap song and figured out what that was, I kind've stuck to it. I always wanted to be a musician in general, an entertainer. I just started rapping. I never decided, 'Oh, I want to be a rapper.'

I'm sort of stuck in adolescence in many ways, like most artists, and march to my own beat.

Originally I studied as a musician, a classical pianist. That was my career before I took up acting in my late 20s.

I studied music; I studied theater. I went to school for it, so I kind of treat it in that manner, that whether or not I can hang out, I've always been the one to go in my room and chill.

I graduated from the American Film Institute in 2010, where I studied as a director, and came out with a few features I really wanted to make.

I didn't really know how to make a film when I made 'Control'. I had to create my own language, just as I did when I started taking photographs. I never studied either one.

I studied classical guitar in school, and that type of stuff has led to writing for Kronos.

The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.

The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion.

Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.

The flow of Guiness into the studio was inspirational as well as nutritive.

Being in a studio is quite a creative and energetic process.

The moment I got a very big studio, everything took off.

Our studio is kind of built into our home, so it's a place you can ramble, and we can do a pretty good recording here. The band is really comfortable her.

In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.

I like home recordings and studio recordings just as much as each other - I don't think one is better - but for this record I wanted to see what I could do in a real studio with real producers.

I mean for me, I can't really say I differentiate 'cause when I go into the studio to make music, I just make music. Sometimes, it just ends up with me, and sometimes it doesn't.

Plus, we spend most of our time writing music. Most of the time is spent in the studio in my house.

But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!

I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.

What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.

I make movies for me and posterity. I'm more scared of history than I am of the studio.

With an independent film, you have a little more freedom, and you also have less money, so you're sort of struggling to get it done, to get something that works. With a big studio, everything is there for you, and it's easier.