Quotes About Artistic

By the time I started writing plays, Broadway was never an expectation, so it's never been central.

I am a person of the 18th century.

Writing tonal music now, you are not writing into the 19th Century.

I'm half of the band Pomplamoose and cofounder & CEO at Patreon.

Being a musician is quite cerebral - there's a lot of sitting around.

I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.

As a director, everyone has their dream and they want to approach their film a certain way.

Every artist says that he/she wants to do something challenging, and I'm not any different. If someone approaches me with a serious role, I'll be more than happy.

I think all my anger and hate comes out in the music; that should be the way you channel these things. It's like, I don't go out and beat people up, I do it with my guitar.

Generally, my life is absolute chaos, but when I'm writing songs, it's very thought out and regimented.

I'm not the sort of chap who can sit down and write music. When it comes, I'm happy.

I never realized how much I cherished having creative freedom.

When I was a carpenter, I built sets for small storefront Chicago companies. Like, I built sets for friends of mine at The House Theater.

As a city, Chicago really affords me an environment that I am really happy creating in. It's an easy place to live in a lot of ways; it's a great community to be making music in.

I was a Chicago theater actress until my early 30s, so I got to do a lot of meaty stuff in theater.

I can make rhymes. My style of writing is kind of childlike anyway.

I know my choices will be creative so long as I follow my heart.

The choices for me now are completely creative. I know, when I'm going to make a record, it ain't going to sell.

I like Vidya Balan because she chooses some interesting films.

Of course, I am choosy because I want to do good cinema.

I'm a choreographer and a director, and I have no ambition beyond that.

Taking up the choreography for an awards night is completely different from choreographing a song for a film.

I think Chris Weitz is an amazing director, and his sensibility - I wouldn't even know how to articulate it - it's just, he's a very sensitive, interesting guy.

The cinema is there to heighten the imagination; I have always tried to make sure it does so.