Quotes About Artistic

We're always looking for ways to use technologies to open up new creative expressions for us artistically. So we're constantly thinking about where something like VR may lead us in storytelling or what kind of tool that gives us as storytellers.

To me, very much of what is artistic is people's very creative and inventive ways out of impossible situations.

The muse, the beloved, and duende are three ways of thinking of what is the source of poetry, and all three seem to me different names or different ways to think about something that is not entirely reasonable, not entirely subject to the will, not entirely rational.

We cannot deny that 80 or even 90 percent of the spiritual treasures from the past 3,000 years have come from Europe. There is no other Greek theatre anywhere else in the world. There is no other Shakespeare, Dante or Cervantes.

Honestly, I envy painters, who can have a masterpiece in one morning. Or musicians, who can write something in 30 minutes and arrange it in an hour, sometimes. 'Cause with this, with writing, you can occasionally feel like a caveman, like you've been working with pitch and tar on this brush.

I would say that what we called the Pixar sensibility goes back even further. It is kind of a CalArts sensibility because so many of the people who are creative instrumental people at Pixar came from that school.

I think making a film is as much knowing what you don't like as what you do like, and avoiding the things that you don't like like the plague and making sure that they never appear onscreen in any shape or form.

I never have a plan of what I am going to draw.

I never have particular actors planned when I'm in the process of writing.

Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.

Roja,' 'Bombay' and 'Dil Se' weren't planned as political films. It was a phase India was going through and these things affected me and found their way into my work.

When we make a record, we don't discuss how we are planning on doing it. It's a very natural and organic growth.

It is in fact agreed that I am the plague, the cholera of the benevolent and generous men who are interested in art and that, when I show myself with my plasters, even the Emperor of the Sahara would flee.

I was listening 'Plastic Ono Band,' the John Lennon album a lot, and that might have had some inspiration on me.

I don't write Plastic Ono Band stuff, though I love that record.

As a developing musician, skiffle became a platform for me to start playing music.

I use music as a platform to express myself. Everything I put out is me, the me I want people to see.

I like to play music, and I like to be funny, so I just do both at the same time.

This is just what I do, play music and create sounds and all that good stuff.

I played music all through school and I kind of performed that way.

We wanted the freedom to be playful, to experiment and do what we felt like doing, but we were heavily affected by the success that the first record gave us.

You are the plays you write. How on earth could you write them otherwise? They're projections of your own predilections.

I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.

I started writing my own plays, and I would sell out, but after everything was said and done, I'd break even. That's being successful.