Quotes About Artistic

You have to do stuff that average people don't understand because those are the only good things.

I would really like to have had the guts and the energy and so on to be able to write about, you know, people having battles with the DHSS. But I...I haven't. They're dull things. I mean, I'm an arty person. OK, I write overblown, purple, self-indulgent prose. So fucking what?

The questions that I ask myself, I think they're very much to do with reality. I would really like to have had the guts and the energy and so on to be able to write about, you know, people having battles with the DHSS. But I...I haven't. They're dull things. I mean, I'm an arty person. OK, I write overblown, purple, self-indulgent prose. So fucking what?

It was quite frightening to be asked to write the music of a Western because there are so many things that you can refer to that can be cliche, and that could really poison your mind, from Morricone, to Bernstein, to Neil Young. So much music has been written for Westerns, that you wonder how you're going to find a new or different idea.

When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.

'The Squid and the Whale' I shot in 23 days. I would have loved more time for it at the time, but in some ways that kind of kamikaze way of shooting was right for that movie.

With every film I've made, 'Whale Rider' included, I've had a vision that was far bigger than the budget allowed.

I've been & am absurdly over-estimated. There are no supermen & I'm quite ordinary, & will say so whatever the artistic results. In that point I'm one of the few people who tell the truth about myself.

I just really allowed my muse to be my guide and I just go with whatever I'm feeling.

I think that was the whole idea behind doing the solo record was to be able to do musically whatever I wanted to do.

I'm an artist, and I go in the studio and make my music. And then I'll give it to my dad and he does what he does. And he does, you know, the press, and figuring out shows and whatnot. When it comes to my artistic freedom, he doesn't, like, step on my toes or anything.

I never knew my grandfather. He died the year before I was born. But as a child, he did, of course, those wonderful illustrations, 'Treasure Island,' and whatnot.

So happy that Broken Bells is a thing in my life and really cool in so many ways. Not only, like, as something to sell records and be a band and whatnot, but just to give me an outlet and give me a fresh approach on things.

Netflix gives a lot of creative and artistic freedom to its actors and to its production team and whatnot.

My love for pottery started completely by chance when a good friend of mine recommended I take a class. When I sat down at a pottery wheel, it was like love at first sight. It was so deeply meditative, and I felt connected right away.

I always would dream of making music videos. Whenever I make music, I always have a visual in my mind. I always see things.

I try to indulge my muse whenever I am able to get away from it all.

Anytime I have an idea, I'll make sure that I put it down so that when we do sit down to write an album, I don't have to dream it all out of thin air. I don't have to be creative on the spur of the moment, or spontaneously artistic. I just take advantage of whenever creativity strikes.

I'm sort of one of those weird actors who whenever I do a play, I think, 'Oh, we should film this,' as opposed to have to belt it out of ourselves in a theater auditorium.

John is a cottage industry in Baltimore and the city opens its doors for him whenever he is making a new film.

I think the bigger the movie is, the harder it is to maintain the idea of an auteur. You're servicing something beyond just your own vision. Whenever there's a lot of money on the line, it is your responsibility to make sure that you're doing your best to have people not lose their money and to actually win by betting on it.

The record company stay out of my way. Whenever the record is finished, they take it.

There ought to be an artistic depot where the artist need only hand in his artwork in order to receive what he asks for. As things are, one must be half a business man, and how can one understand - good heavens! - that's what I really call troublesome.

I used to try and make up visually for what I couldn't play as a musician. I used to get into very incredible visual things where, in order just to make one chord more lethal, I'd make it a really lethal looking thing, whereas really it's just going to be picked normally.