Quotes About Cinematic

Even though I love Hindi films, I don't remember any backdrop visuals that are really striking.

I like my visuals to feel like movies.

Commingling keenly felt emotion, madcap humor, and retina-bursting visuals, 'Missing Link' is a kaleidoscopic cinematic experience unlike any other.

All my films have been larger-than-life. And since I've sat on almost all the scripts of the films I've produced, I do not compromise on aesthetics and visuals that could add to a scene.

I feel like I'm on crutches when I have to go by the dialogue sheet. I want the artiste's natural, spontaneous reaction and vocabulary so that it adds a genuine flavor to the scene without which the sequence becomes entirely cinematic.

Think about 'GoodFellas': It could be a textbook on how not to write a screenplay. It leans on voice-over at the beginning, then abandons it for a while, then the character just talks right into the camera at the end. That structure is so unusual that you don't have any sense of what's going to happen next.

TV has become long-form now. A season can be like a 13-hour film, separated into episodes, so you can analyse a character for five years and talk about the things that films used to talk about but don't any more.

I have an image of Shanghai, which is quite different from other directors, I think. The story of Shanghai should happen in back alleys.

'The Shining' is one of my favorite movies of all time.

When you cut from a long shot to a close shot, you're doing it for a reason, or if you let something stay in long shot for a long take. On the short films, I was teaching myself how to express something personal cinematically, how to use the language of film the best I could.

Alan Rickman's Hans Gruber is the greatest bad guy in a movie ever.

When you see 'Lord of the Rings,' you want to feel like you've been dropped into it and that you're part of it. You don't want to be aware of how it's being done; you just want it to feel really seamless.

We entered 'Lucid Grey' into the Georgetown festival on April 27, 2001. Now 'Sound of My Voice' is opening on April 27, 11 years later. It couldn't have happened in a more perfectly cinematic way.

There are very few perfect movies. This is okay, since in the pursuit of cinematic art, perfection shouldn't be the goal. Nevertheless, when it's accomplished (even by accident), it's an achievement.

I'm thrilled to continue the tradition of the spectacular, cinematic, horrifying, exciting and emotional storytelling of 'The Walking Dead.' I'm a huge fan of the comics, and started with the show on the other side of the set, as an avid viewer.

Working on 'Dexter' is like shooting one big movie every year.

For me, if God blessed me with that one great hit, I'm satisfied. But I've still got a lot in me, and I'd still like to get out there and tell a lot more stories cinematically. And God willing, I'll get the chance to do that.

I just love movies where they blow stuff up, in your face, and it's so excited and cool.

I remember the first time I saw 'Gupt,' I was blown away.

Every Bollywood movie looks like the most fun movie ever made, and if that was all we knew of Indian cinema, it would be enough.

I love doing television; it's such a brilliant way to tell a story over six hours rather over the two hours of doing a movie.

When I say that I am going to do an American film, I didn't want to suddenly go off into a completely different world that which bears no relation to the style of filmmaking that I'm used to.

I thought 'Skyfall' was a sumptuous film.

All my stories are cinematic. The Illustrated Man over at Warner Brothers a couple of years ago (1969) didn't work because they didn't read the short stories. I may be the most cinematic novelist in the country today. All of my short stories can be shot right off the page. Each paragraph is a shot.