Quotes About Sax

When I started rhyming, my favorite rhythms were from John Coltrane and some of the things he did on sax. And certain rhythms that I hear on drums, I try to emulate with my words, dropping on the same patterns that them beats or them notes would hit.

it's one thing to follow #alienmusicstories about it and another to be practicing the tricky sax solo for the rachmaninoff and see one slither through your open dorm window and re-form into elvis.

I'm still waiting for someone to call me to cater their wedding. But that's gonna cost you. If you want my cousin Jerez to play the sax, that's going to cost you a little more. The sky's the limit after that.

So nearly everyone had an opinion. Polls showed that most supported the Russell program, an informal name for Sax's plans to terraform the planet by all means possible, as fast as they could.

I wanted my voice to be a tenor sax, really.

He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.

To me, the sax is rock n' roll, even though electric guitars kind of pushed it aside for a while.

I've just been recording mostly acoustic stuff, drums, and sax, and electric guitar. I'm just still writing songs and what not.

As far as other instrumentalists, I used to love mellow sax players like Paul Desmond. I love piano.

He was a hip cat a hep cat a cool cat a bad mad rad cat Oobie-do John the Sax Man Scat Man the long sleek cat man!!

The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.

Baby Jane' is a tune, what a sax solo. And The Faces' 'Stay With Me' is amazing.

The sax solo as we know it today would not exist without Gerry Rafferty. His 1978 soft-rock classic 'Baker Street' has to be the 'Ulysses' of rock & roll saxophone, giving the entire chorus over to Raphael Ravenscroft's sax solo, creating one of the Seventies' most enduringly creepy sounds.

Some songs are just going to be acoustic with just maybe some light background stuff going on and maybe violin or something like that. Or sax - I mean, I'm definitely having some sax. That's just what I love. It's going to be jazz-rock stuff. That's what I'm aiming for.