Quotes About Authors

Douglas Adams. Kurt Vonnegut. Neal Stephenson. Richard K. Morgan. Stephen King. Orson Scott Card. Terry Pratchett. Terry Brooks. Bester, Bradbury, Haldeman, Heinlein, Tolkien, Vance, Gibson, Gaiman, Sterling, Moorcock, Scalzi, Zelazny. I

In the '50s, '60s, '70s, before television became easily accessible, even the most well-known writers were not recognised. The writers remained mostly an anonymous lot then.

'Bleak House' remains a great novel for me, and I love 'David Copperfield.'

The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.

I was lucky enough to be a child during the renaissance of Australian children's literature, when people like Ivan Southall, Colin Thiele, Lilith Norman and Wrightson were pumping out hugely inspiring stuff.

A lot of cookbooks also have incredible food writing, even though I feel like a lot of cookbook authors don't necessarily identify with being writers.

I often find that writers who disavow the importance of an ending are just not very good at endings.

My favourite authors include Trollope and Dickens.

We are the authors of our lives, and, through choice or circumstance, some of us leave our stories unfinished or untold. Though it's taken me a long while to get here, I've come to accept that life, like the vast woodlands that surround my childhood home, is layered with mysteries.

Shakespeare, Dickens

Dr. Johnson has said that the chief glory of a country arises from its authors. But then that is only as they are oracles of wisdom; unless they teach virtue, they are more worthy of a halter than of the laurel.

I don't have a favorite author; I have favorite books. 'Moby Dick' is a favorite book, but Melville was a drunk who beat his wife. 'Moveable Feast' by Hemingway, but I would not like him personally. He was a stupid macho person who believed in shooting animals for fun, but that book was incredible!

Business is war! Its leaders are strategic commanders, who boldly snatch victory from the jaws of defeat - and who perform other acts of derring-do. This kind of talk sounds great in the boardroom, and, for that matter, in the bookstore, where dozens of authors counsel would-be corporate warriors.

Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.

Sometimes people write novels and they just be so wordy and so self-absorbed.

It's true that at the time I was fond of Kurt Vonnegut and Richard Brautigan, and it was from them that I learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that I simply did not have the time to write sustained prose.

'Ageism,' or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. 'Oh, they're too old to make films or write books.'

Many contemporary authors drink more than they write.

Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing.

Writers are historians, too. It is in literature that the greater truths about a people and their past are found.

When aspiring writers ask me about how they should target their writing, I tell them to pay no attention to that kind of thing. It will restrict you. You will end up falling into stereotypes in an effort to tailor your work toward a perceived genre category.

Whatever simplicity I've achieved in writing, I think I owe most of it to Jean Renoir and Hemingway: simple, declarative sentences. I've read some very good writers, but the sentences were so long that I've forgotten what the point was.

When I was writing 'House Of Suns,' there were a few writers I had in mind as role models, the main being Gene Wolfe.

I don't know why, but American sci-fi writers seem to focus on the near-future, which has given us Brits a clear run at the most fascinating.