Quotes About Publishing

A bad book and good marketing won't work, the same way a good book and bad marketing will also not work. There is no choice in the matter that if you need to write a good book, you also need to have good marketing for it.

from 1550 to 1650, a century that encompassed the careers of Shakespeare and other writers of gigantic stature, Calvin was England's most published author.

I realized there might be monetary or financial reasons to jump in and write a 'Winter's Bone Retriumphs' or something, and nobody would object to me doing that in publishing. But it would be a waste of my time, and they always take a little longer than you thought they would take.

I co-founded 'bOING bOING' magazine and the 'Boing Boing Blog' and was an editor at 'Wired' from 1993-1998.

My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.

Male critics and men in the publishing industry want from their women writers what they want from their wives. I'm interested in presenting characters that are more challenging, threatening, complicated and unpredictable.

All I'd ever wanted to do in my life was write and publish books, and woe to anyone who stood in my way.

After Ann Godoff, who was editor-in-chief at Random House, left and went to Viking, I got to know Viking and the people there, and liked them very much. I also found a wonderful editor there, Wendy Wolf. It's a very congenial press.

Six-hundred-page biographies of German theologians aren't known to fly off the shelves.

I have very strong theories about magazine publishing. And I think that it is the most personal form of journalism. And I think that a magazine is an old friend.

Listen, my day job is also Chief Creative Officer for Marvel, and it's a very painful job because we publish a lot of books, and there are things I see where I can punch people out. Therefore, we have some new people now, and the kids are going to read our books.

When I was in my teens, I was very, very keen on being the author of a book. What the book was was secondary. I wanted it to be in hardback. I didn't care how thick or thin it was, and I didn't actually care what it was about.

It is important to find a publisher and equally important not to be noticed until your third or fourth book.

I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.

I've been asked to write a book several times; I've had several publishers come to me and offer me book deals. Especially right after I left Dream Theater and Avenged Sevenfold, there was a lot of drama going on in my life, so the book companies came at me thirsty for blood and gossip. And I turned down all the deals.

I set the goal of getting a book contract by age thirty.

When I was 26, I wrote my first mystery, 'The Thomas Berryman Number', and it was turned down by, I don't know, 31 publishers. Then it won an Edgar for Best First Novel. Go figure.

I had a period where I thought I might not be good enough to publish.

I'm feeling more and more thoughts that aren't songs, just reflections. I'm always been very shy and in some ways a prisoner in one language and I feel that the liberation of creativity has to be in all senses. So I've been deciding to publishing something very simple but very small at the same time, nothing egocentric.

Writing is a intensely personal activity. I can pen down my best thoughts when I'm alone. But when one is elevated into the stature of an author, you have to think about your books in terms of their business angle.

I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86.

An author is a person who can never take innocent pleasure in visiting a bookstore again. Say you go in and discover that there are no copies of your book on the shelves. You resent all the other books - I don't care if they are Great Expectations, Life on the Mississippi and the King James Bible that are on the shelves.

While other novelists were worrying about money and struggling to turn in chapters overdue at their publishers, Trollope was prospering and remaining ahead of schedule. While one of his novels was being serialized, he usually had at least one other completed novel, often two or three, awaiting publication.

Publishing a book is like stuffing a note into a bottle and hurling it into the sea. Some bottles drown, some come safe to land, where the notes are read and then possibly cherished, or else misinterpreted, or else understood all too well by those who hate the message. You never know who your readers might be.