Quotes About Publishing

The key to team success is trust" Bob Mayer said this in an article about indie publishing; he was referring to military ops. This also rings very true in football-missed assignments are more often the result of a lack of trust in the teammate next door than a lapse in memory.

The successful writer takes chances and succeeds. The successful writer embraces the changing world of publishing and uses those changes to their advantage.

In the 1520s, dozens of free imperial cities are the sites of an aggressive, disruptive Reformation movement as unexpected as an Augustinian friar becoming a publishing sensation and celebrity papal critic.7

copyright © 2014 Hachette Book Group, Inc. All rights reserved.

There's not a branch of publishing or broadcasting that doesn't depend in some way on advertising. It'd be like an aquarium without water. Why, ninety-five percent of the information that reaches you has already been preselected and paid for.

I think I write and publish as often as I do because I can't bear being without a book to work on... I don't feel I have this to say or that to say or this story to tell, but I know I want to be occupied with the writing process while I'm living.

Nothing written for pay is worth printing. Only what has been written against the market.

The moment I said I'd finished a book, I knew what would happen. There would be a bidding war, and I would end up with someone who'd got the fattest wallet, who had bought it because I'd written Harry Potter. That would have been why.

I had written a book. For various reasons, the publishing industry had decided that my book was going to be 'important.' The novel had taken me 12-and-a-half years to write, and after being with the book for so long, I had no real perspective on the merits or demerits of what I had written. I hoped it was good, but feared that it wasn't.

E-books present the greatest opportunity readers have ever had to find each other. It's a chance for stories written for paper to find new life and a chance for new stories to appear, freed from the constraints of paper publishing.

The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.

Those of us who know the transporting wonder of a reading life know that it little matters where we are when we talk about books or meet authors or bemoan the state of publishing because when we read, we are always inside, sheltered in that interior room, that clean, well-lighted, timeless place that is the written word.

The reason why I began making quilts is because I wrote my autobiography in 1980 and couldn't get it published because I wanted to tell my story, and my story didn't appear to be appropriate for African-American women.

I wrote 'Time Stops at Shamli' in 1956, shortly after 'The Room on the Roof' was published, and I couldn't find anyone to publish it.

There are stories still in existence that I wrote when I was five. However, I did not get published until I was seven.

If you wrote a novel in South Africa which didn't concern the central issues, it wouldn't be worth publishing.

When I wrote 'Lord of the Flies' - I had no idea it would even get published.

I wrote and produced millions and millions of selling records, so my publishing company alone was worth millions of dollars. I didn't have to work anymore in life because when the rappers started sampling... I'm the most sampled artist in history.

I was incredibly determined - I wrote short stories, I wrote the beginnings of novels. I wrote a little children's book and sent it to the editor-in-chief of the children's division of Simon and Schuster and she asked me to write a little children's book for a series she was doing.

I had a nice part at big newspapers, small newspapers, and then I went to a very big newspaper - 'The Wall Street Journal.' I wrote longer pieces, and I got tired of working so hard on stories that had a shelf life of essentially one day. So then I started working on longer magazine pieces and realized then that you might as well be writing a book.

I didn't think anything I wrote was going to get published. I'm a dyslexic kid who had tutors through college. But I had a very strong impulse to write.

I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.

The publishers, as I remember at the very beginning of my career, wrote letters with their fountain pens. A letter is different from a phone call or fax. It's a different kind of intimacy. That pervaded the entire business of writing and publishing.

Brahms believed that there was no need to publish absolutely everything that Schubert ever wrote.