Quotes About Originality

Anybody that's from somewhere that's made it in music outside of New York or L.A., if it's a unique enough place, they'll always say, 'Dude's from Minnesota!' Or wherever, you know? So that's how I got the Philly connection.

New York publishing is about, 'What's the next Harry Potter? What's the next Twilight?' When I've approached people, I've asked, 'What is the book you've been dying to do, but New York won't do?' I want the books that they think won't sell - because I think they will.

I'm constantly saying, 'I read a fascinating article in 'The New Yorker'... ' I say it so often that sometimes I think I have nothing interesting to say myself, I merely regurgitate 'The New Yorker.'

Always remember that you are absolutely unique. Just like everyone else.

You have to be you. You can't be anybody else. If you speak loudly, and people tell you to speak quietly, you can do it for a little bit, but loud people are loud, and people who are not, are not.

Everyone sounds like me now. But they know who they are. It's a game changer. I started this sound, I'm the head of it. You can do it, but I'll do it better.

I've had jokes stolen a thousand times. But if you can do it better than me, you can have it. I've had jokes stolen from me in the club when I'm next on stage. And my brain will start to turn, and the gears will start turning, and I'll go onstage and create a whole new bit.

The one thing I try and do, when people say, 'What kind of movies do you guys look for,' the one thing I look for is 'different.' And I think that's very antithetical to Hollywood.

When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that's where you start from.

I shall not be satisfied unless I produce something which shall for a few days supersede the last fashionable novel on the tables of young ladies.

I got a guitar when I was six and, instead of learning other people's songs, started to try to write my own, even at that young age.

I played didgeridoo from a young age - on the vacuum cleaner, initially.

I've always known from a young age that creativity is natural.

The last thing a young artist should do in poetry or any other field is think about what's in style, what's current, what are the trends. Think instead of what you like to read, what do you admire, what you like to listen to in music. What do you like to look at in architecture? Try to make a poem that has some of those qualities.

It's not easy to stand out as a young artist.

As a young artist, especially in rap and at that time that I came out, originality was big.

I find a lot of young filmmakers make too much of an effort to be trendy and they can be pretentious.

I think the thing about film is, as it gets proved by a lot of young filmmakers now, that the medium will just go on reinventing itself, and so you just hope to be a part of that and not a part of some kind of endless regurgitation or 'Here I am doing what you know I do' kind of thing.

The biggest mistake I would tell any young guy in this business is a guy playing a character. If you are you being you and the more you take being you down, the worse it is. You have to take the real you and make it a little louder, colorful and intelligent, it's hard to screw up being you.

I didn't want to fall into the trap of competing with all these other great guitar players. I just want to sidestep the whole thing and get out of the race.

What makes Gucci Mane Gucci Mane is like what made Frank Sinatra Frank Sinatra - it's just him. He's trap's Frank Sinatra.

I was very aware of the fact that I was a young designer, and I didn't want to fall into the trap of 'mother of the bride' dressing and 'occasion-wear.' I wanted to make sure that girls my age were wearing it and that there was a cool factor to my clothes.

When I made 'Tales of Tacobella,' and I made 'Sugar Trap,' it was like people literally trying to say that like, either that they made it, or that they helped make it, and then they continued to try to steal the flow, try to steal the aesthetic of everything I tried to build.

I didn't want to be one of the 10,000 kids on the internet making beats. I went out there and got recognized as the white boy in trap music and made a name for myself.