Quotes About Adaption

Obviously, after 'The Matrix,' it was a case of, 'OK, I did that. What's next?' I mean, it's always like that, but more so this time. How do I change it up? How do I keep it interesting for myself?

I don't think one should be a slave to one medium.

People resist change; if they like something, then they want you to keep doing it over and over - but I think if you like what a particular band or artist does, then you should want to see what they're going to do next.

I was a football fan before I became a rugby fan.

I wouldn't particularly say I liked rugby but it got us playing football.

People see technology as something that will ruin society and culture, but I've always embraced technology.

Everybody can be who they are within the scheme of the Seahawks and what we want to do.

Especially in today's age, when you're in the huddle with guys from all different backgrounds and all different ages, you have to be able to lead, get everybody on the same page, and do what it takes to win.

Writers like to write, and writing in different forms - short, long, bite-sized, done on the fly, done with painstaking attention - all interest me.

The whole 'Djesse' project is, like, the paramount example of something that has evolved alongside me creating it. It started as one album, and then I realized that I had too many ideas for just one album.

I don't consciously think of how parenthood has changed me but I'm sure it must have.

Every partner you get is so different, you learn a lot from each of them.

I don't expect that because I was successful in one field that I will then get a ride of passage into another.

I feel '14 didn't just shape me and my approach from then on: it changed the level of overtaking from other guys in the sport as well. Not many people were doing that, coming from a long way back and trying big passing moves.

When I worked at Microsoft, I got to go and visit a bunch of different companies. Probably a hundred different companies a year. You'd see all the different ways they'd work. The guys who did Ventura Publisher one day, and then United Airlines the next. You'd see the 12 guys in Texas doing Doom, and then you'd go see Aetna life insurance.

My dad was teaching in Kenya, and my grandparents came to visit me there. They brought me to England, and my dad continued to teach for a bit after, so I just continued to live with my grandparents, because that became home, really.

Step one of Street View was to get the pictures in place - in a few short years, we've gotten used to the idea that nearly any place on earth can now be visited as a set of images on Google.

I try not to get trapped in any one musical or visual style at all.

I don't think in today's world you can go too far. However you may feel about social media or the Internet or selfies, it's part of how we all live today. 'Vogue' needs to understand and reflect that.

I try and approach other music with sensitivity. And, if it's music I don't know, I try and work with other people who are well-versed it in, so that it's done sensitively.

I have a wife and young baby, and having them with me in England will help me settle.

The problem is you can't wear your old shoes too often because people say, 'You're still wearing that shoe?'

My dad always told me to have a short memory, whether things are going good or bad.

Well, I've shown the art of counter-punching throughout my career.