Quotes About Animation

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

I wanted to do animation for adults; films like Fritz the Cat (1972) that were shown as midnight movies and had an edge to them.

One of the significant aspects of Love, Death + Robots is that it offers up a buffet of the visual styles and technologies available in animation today.

I'd love to go back to Broadway; I'd love to do animation; I'd love to do hair and make-up campaigns because I love hair and makeup - and, I'd love to do film. I mean, there are a lot of doors I'd love to open up!

I think living things can recognize the movement of other living things, and all the best animators in the world can't quite capture that something.

Beanie and Cecil was the first cartoon I remember watching and I think there are analogies.

I'm a big cartoon fan! Bugs is my favorite.

'Rugrats' was my favorite cartoon growing up as a kid.

'She-Ra' was truly my favorite cartoon growing up.

Not a lot of people get to say, 'I'm a cartoon character.'

I would love to be the voice of a cartoon character in a movie for my kids. I think that would be fun.

Around 2000, I was working on cartoons like 'PB&J Otter' and 'Doug.'

I was always into cartoons and animation.

Tell me that you don't like cartoons, and I think there's something wrong with you. I don't understand why people don't like cartoons.

I can watch cartoons all day!

As far as cartoons go, I watched a lot of 'Ed, Edd, n Eddy' when I was a kid.

I've always been a fan of animation. As a kid, I used to watch a lot of the Saturday-morning cartoons, and I was always a fan of even claymation and that whole medium.

When I was younger, I used to watch a lot of cartoons.

I wanted to do what Mel Blanc did, and that was cartoons.

I used to record 'Futurama' episodes on my cassette player and play it to help me go to sleep.

My respect for animation has gone way up. It's a truckload of work. I have to sit with my animators the same way I'd sit with my actors and cast them.

I think with animation there's a certain freedom that you're given. You don't have a thought at the back of your mind, that worry that you'll have to cut and go back to the top of the scene. You're not working with anyone else from the cast. It's just you.

Miss Minutes was inspired a bit by Felix the Cat, and cartoons of that era.

Usually cartoon characters stay a certain age; that's part of their appeal. Usually they don't grow up.