Quotes About Innovation

We listen to a lot of hip hop. They're the ones that are trailblazing. It used to be rock, but it's really turned to hip hop, and they're doing really unique and cool things, and we wanted to do that, too.

I hope that we continue with exploration.

When I was an academic, I'd sometimes get a little feeling of excitement when I had an idea that was, I hoped, fresh. And whether anyone should act on that idea is a very different question.

Short stories are fiction's R & D department, and failed or less-than-conclusive experiments are not just to be expected but to be hoped for.

I hoped 'Tashan' would be a clutter-breaker.

I'm not always hopeful about the future in general, but I'm definitely hopeful about the future of filmmaking and art.

Music is changing. I'm just doing what I'm doing, and hopefully in the next 20, 30 years, some kids can take what I'm doing and change it again. If the music doesn't move, then it's dead.

Critics who complain that we don't do anything new will hopefully be happy with 'Oopiri.'

I try to make my music interesting to me first, then hopefully other people will find it interesting, too.

I'm not really premeditative in any way at all. I come up with an idea, hopefully for a film, and then I'm lucky enough to do the film.

Hopefully there will be a day when all comedy is all robots.

Entrepreneurs take measured risks, not hopeless gambles.

I find the aesthetics of the 20th century hopelessly barren.

The combination of a workable basic formula and the capacity to improve over time is what one hopes for in any aspect of society: business, government, the non-profit sector.

What I'm hoping is that every album I'm going to do will give my audience something different, and that they'll grow as I do.

I wanted to play games in the best way possible, a way that was better than anyone else would have access to. As time went on, it became clear that VR was actually feasible on a large scale at a low cost, and at a quality far beyond what I had been hoping for.

We need to develop artists who are not just scoring films. I'm hoping 'Gully Boy' can help with that.

I think that there are a number of older-guard technology companies who either genuinely believe or are hoping people will believe that companies aren't going to move to the cloud that quickly or that a very large amount of workloads will remain on-premises forever. I don't believe that.

In the 1960s and into the '70s, everyone in their own way was trying to open up the musical horizon. There shouldn't be a wall that you're going toward and bouncing off.

In my own work, I've tried to anticipate what's coming over the horizon, to hasten its arrival, and to apply it to people's lives in a meaningful way.

You got to expand the sound to expand your horizon and your fanbase.

There's nothing slowing down about the shift to the cloud. I don't see anything on the horizon that is changing that.

An enterprise that is constantly exploring new horizons is likely to have a competitive advantage in attracting and retaining talent.

With guitar, bass and drums, you've got limited horizons.