Quotes About Innovation

I like to improvise so much live because I get bored playing the same thing over again. It's like the kid at school that already knows all the answers so doodles all over the paper. I do that a lot live.

We're improvising a lot of this, which amazes people.

I love improvising.

In the U.S., it's like, you start with a great script, and then on set - not everybody, but definitely in the Apatow group - you go off, and you're improvising on camera. So while you're on camera, you're saying things that no one else has ever heard before during the actual take.

Very early on, I started improvising. I was more interested in the music that came out of me than any music I heard.

Everyone has a creative impulse, and has the right to create, and should.

It is well to be alone. It fertilizes the creative impulse.

When we were putting together 'One Of Us,' we were just following our impulses and what felt good.

Thom Browne is, in my opinion, one of the great minds in men's wear.

When you think about John Coltrane, in my opinion - and I think I share this opinion with a lot of people - his approach to music changed other people's approach to music.

In my opinion, the most dangerous thing an artist can do in this day and age is not embrace the present.

In the beginning, it was technology, and it was fun, and then it turned to politics, and it's been changing so many people's lives. We didn't realize that to begin with.

I think that, in the end, the consumer's going to win on the Internet.

Sometimes when you're given hurdles, it makes you more creative in the end.

My job is to create jobs. In the end I'm going to have jobs to show for it.

In the end, I think that people that are not willing to take the risk to fail are not true entrepreneurs.

I think if companies start reinventing themselves and focus on the customer experience more, they will win out in the end.

In the end, robots do things that people can do. So there is a cost above which you can hire somebody to do it, and that bounds the opportunity.

In the end, our way of writing music is a long process of experimentation. We enjoy the luxury of taking this very seriously and giving it the time that it needs.

We can't look for greatness in the past.

Each film and each character is a completely new set of challenges. It doesn't feel like you can rest on something you may have done well in the past.

What I love about each album is the opportunity to expand on what we've done in the past - to push myself and the band creatively, vocally, and lyrically.

What you're doing now, or have done in the past, need not determine what you can do next and in the future.

The risk of any great luxury brand that has its history in the past is that it can get dusty.