Quotes About Innovation

A lot of companies have chosen to downsize, and maybe that was the right thing for them. We chose a different path. Our belief was that if we kept putting great products in front of customers, they would continue to open their wallets.

I have a personal philosophy in life: If somebody else can do something that I'm doing, they should do it. And what I want to do is find things that would represent a unique contribution to the world - the contribution that only I, and my portfolio of talents, can make happen. Those are my priorities in life.

Such a chimerical idea as telegraphing vocal sounds would indeed, to most minds, seem scarcely feasible enough to spend time in working over. I believe, however, that it is feasible and that I have got the cue to the solution of the problem.

When we started the e-commerce, nobody believed that China would have e-commerce because people believed in 'guang-shi,' face-to-face, and all kinds of network in traditional ways. There's no trust system in China.

I went to grad school because I wanted to learn the rules so I would know how to break them. Breaking the rules is saying, 'I'm breaking in, OK? I'm breaking in your very comfortable little house over here, and I'm going to take a room.'

America tends to assume Silicon Valley-style innovators can drive quick and transformative changes, but even Silicon Valley's would-be masters of the universe have discovered that energy transitions are subject to time spans and technical constraints that defy their reach.

Too many would-be executives are slaves of routine.

I wound up getting offered a job at the NASA Jet Propulsion Laboratory where I invented a power supply mechanism for the Galileo space craft which was in orbit around Jupiter until 2003.

The Pop art I wound up doing came to me purely from 'Mad' comics. I loved the idea of doing fun stuff. I met an art dealer who wanted to show the work - that was in January 1962 - and that was the beginning for me.

I worked a lot on our album cover, and I didn't just want to post it on our website one day and move on. We wound up breaking it into 18 pieces and hiding them on fan sites all over the Internet and then posting clues, so fans could put together the puzzle.

The brand new user interfaces that Nintendo invented often faced skeptical views before a hardware launch but wound up becoming de facto industry standards.

When Braniff abandoned stripes, they wound up with a flying jelly bean and that's not a good feeling for passengers.

I'm not in the business of bayoneting the wounded. I feel the blockchain revolution is kind of my victory. I don't care whether I win it, someone else wins it.

Innovation and thoughtful visual storytelling are deeply woven into the fabric of Getty Images.

My tapestries are woven on a computer-controlled loom. I design them on Photoshop. I recently did some digitally-routed woodcuts because I wanted the woodcut look, but I didn't want to get the chisels out.

Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'

I remember when I first came around, the computer-generated stuff was pretty wicked. I was like, 'Wow!' but I feel like then for the longest time, we saw so much of it, after a while, you might as well just be watching an animated movie.

When I heard Flying Lotus, I was like, 'Wow, okay, everything can be off the grid.'

I came to NAMM once and saw this guitar that self-tuned, and I thought, 'Wow, this is the future!' And I've never seen it again.

If someone stands in front of one of my paintings and says, 'This is just a mess', the word 'just' is not so good, but 'mess' might be right. Why not a mess? If it makes you say, 'Wow, I've never seen anything like that', that's beautiful.

Cloning, wow. Who would have thought? There should be a list of people who can and cannot clone themselves.

I never got a stereo system until about 1969. It was only when I went to America in '68 and listened to FM radio; I really thought, 'Wow, there's something in this.'

I absolutely loved working with Tim Burton because he is just a creative, outside of the box thinker. How he does things is fantastic. It is different - weird different - and he does things that are groundbreaking. They are courageous to do and once you do them you are like, 'Wow! That really does work!'

Well, when the Raspberries ended in early 1975 suddenly I didn't have to write to anybody's strengths or weaknesses. I was completely wide open and I thought wow, I can write anything I want now. I can use session musicians. I can find another band that sings like the Beach Boys, I can do all kinds of things.