Quotes About Innovation

You have to create a track record of breaking your own mold, or at least other people's idea of that mold.

If you look at my track record, there was nothing on radio that sounded like 'Oh Carolina,' 'Mr Bombastic' when they came out.

Look at my track record: All of the big hits we created in Holland worked globally.

Luxembourg has a track record of being successful when it takes risks. You need to take on risks to be successful.

Sell your intellectual property based on a track record of success and innovation.

Amazon has a good track record for blowing up industries, and fashion needs to look at what has happened to music, publishing and media.

The banked oval tracks are obsolete tracks for Indy cars.

Some tracks are with quartet and some tracks are with synthesizer.

Rap is like any other genre: There are the people who are very creative with it and do remarkable things... and then there's that whole quadrant that sounds alike. There's great stuff that's taken the genre to a new level over the years, and 'Regulate' was one of those tracks that was kind of a landmark.

Racing is a dangerous sport, but weve worked very hard to make it safer. We always have, the drivers, the teams, the governing bodies, the tracks.

In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.

Orchestra had a little brass ensemble on two tracks as well, but the rest was me. I knew I couldn't continue in this direction, even if people liked it, because I can only duplicate myself.

We hear so many records these days that are done with click tracks, as opposed to a drummer.

Besides the two Christmas things, we've got a about a dozen new tracks we're working on.

I didn't grow up working on 24-track - the first two Taste albums were eight-track and we always had tracks left over - we couldn't believe it, either!

Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.

I'm not following anybody's tracks, I'm making my own baby.

I did the first 'Oxygene' on an 8 tracks tape recorder with very few instruments, with no other choice than being minimalist.

My whole thing, to keep myself interested - and, you know, I'm a huge hip-hop head - I have tons and tons of a cappellas. So I do these live remix mash-ups with my tracks and just throw them in there.

I have done recreated tracks myself.

Then I have a head mounted display which actually was designed for the military to do synchronized building entries and that's looking down at my hands, so projected on the big screen behind me, you can see my hands as I'm putting the tracks together.

A lot of the really great stuff fell between the tracks.

I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.

If you want to make people dance, you need to follow certain rules. Build-ups and breaks and stuff. I like to be free. On top of it all, I never really felt that I'm good at making fat-sounding dance tracks.