Quotes About Innovation

I am the son of a hand-loom weaver. I have a connection with yarn. I thought, 'Why not try to make an affordable sanitary pad for my wife?'

Yarn, patterns, and needle sizes have come such a long way since your grandmother's afghans. Creatively, there is just so much to get into, so much to play with. It's an amazing way to turn inward and get off your phone.

With artificial intelligence, we are summoning the demon. You know all those stories where there's the guy with the pentagram and the holy water, and he's like, yeah, he's sure he can control the demon? Doesn't work out.

Learn computer science. It's extraordinarily helpful. I like recommending learning economics as well so they think in terms of business, they have rational frameworks for looking at the world, but yeah, computer science is an amazing way to get into, even if you want to be CEO, having a tech background is helpful.

True simplicity is, well, you just keep on going and going until you get to the point where you go, 'Yeah, well, of course.' Where there's no rational alternative.

When I wrote 'The World Is Flat,' I said the world is flat. Yeah, we're all connected. Facebook didn't exist; Twitter was a sound; the cloud was in the sky; 4G was a parking place; LinkedIn was a prison; applications were what you sent to college; and Skype, for most people, was a typo.

I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.

I had a stormy graduate career, where every week we would have a shouting match. I kept doing deals where I would say, 'Okay, let me do neural nets for another six months, and I will prove to you they work.' At the end of the six months, I would say, 'Yeah, but I am almost there. Give me another six months.'

You know I've got a chum, a smashing mate, he's got a dog with no legs, and he calls it a cigarette. It's true, yeah, because at nighttime he has to take it out for a drag.

Technology's related to everything. Technology is making the world more accessible, so yeah, as generations go by, they'll become more and more married to each other, for sure. I think they go hand in hand - fashion inspires design, and technology inspires design as well.

Yeah, I think that his great creation was not any one product but a company in which creativity was connected to great engineering. And that will survive at least while the current people who trained under Steve are there.

Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.

Listen to Your Heart' was a blank slate. Yeah, there was this outside idea of 'Bachelor in Paradise' meets 'A Star Is Born,' but what does that mean? You have to actually define that, make it happen.

Well, yeah, sometimes I get a little too creative.

Yeah, that's what I'm working for. The couture house of the future.

Yeah, now we publish whenever we feel like it.

Oh yeah - for sure - hardly a week doesn't go by when I don't hear something wonderful that someone has made in some low-budget situation, primarily with a view to selling a few hundred copies at their concerts.

I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.

Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.

You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'

We've got to get off oil. And it's possible. It'll take a dramatic shift in the way we think and how our infrastructure works, but we as Americans have proven time and again that we can tackle change head on. Yeah, it's a challenge, but it doesn't have to be a painful one. We just have to recalibrate our thinking on the subject.

Yeah, I record on voice memos. I got like 1,000-something memos. If I'm in the middle of something and I can't get it done, I'll jot it down, but I never write a rap out, ever.

I asked Bob Dylan to paint the album cover for 'Music from Big Pink.' He said, 'Yeah, let me see what I can come up with.'

SpaceX has the potential of saving the U.S. government $1 billion a year. We are opposed to creating an entrenched monopoly with no realistic means for anyone to compete.