Quotes About Innovation

James Cameron has always been way ahead of the curve in terms of the use of technology in his movies.

James Brown is the reason I play guitar.

I've seen some of James Cameron's work, and I've got to go 3D.

I'd love to do something with somebody like James Blake.

Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.

Faux-freckles are definitely a James Charles touch to any makeup look. I love adding them and have seen so many other people start trying them as well! They're so cute!

Before we really started writing our own songs in the James Gang, we'd play covers, and then, in the middle of them, we'd go for a jam for four or five minutes. At some point, we had six or seven of those sections, and we didn't need to cover other people's songs anymore.

The first artist that did it for me with just production was James Blake... I was just blown away... I feel like James Blake kind of was the one that introduced me into that world.

I love James Cameron. I love what he does.

Saw' was a film that James Wan and I came up with back in Australia and we were just hoping anyone, literally, anyone would make that film and if nobody would give us the money we were going to shoot it in a garage somewhere.

James Cameron has always been great about changing the rules.

I was really young, like nine, when I saw the first 'Terminator', and I was amazed by the world they created, and everything James Cameron did.

I was inspired by James Brown, Michael Jackson and Prince.

When I was a kid, I never wanted to be James Bond. I wanted to be Q, because he was the guy who made all the gadgets. I guess you could say that engineering came naturally.

I created Batman about 10 years before Ian Fleming created James Bond.

I would say the main thing is, don't just copy yourself, which is what a lot of sequels do. And in some cases, it works. Like James Bond movies. But James Bond is a different type of character.

Usually, when we write in The B-52s, it's quite a collaborative process. We really take hours - and sometimes days - jamming, and then we listen and listen to them and go, 'Oh, let's use this part, and then this part.' It's really like a collage.

When I did 'Don't Look Back,' I no longer had Time-Life looking over my shoulder, so I could kind of do it as I wanted, and it was like I was really correcting 'Jane.'

I started Softbank in 1981, a year and a half after I came back from the United States, after graduating from Berkeley. I wanted to start my own company when I came back to Japan.

Christianity, to be effective in Japan, must change.

Clearly, Japan is a most important market for digital consumer products.

The leg drop was a move that nobody really used, and nobody ever hit the ropes and jumped up really high, so I tried it out in Japan and the people loved it. That's how I came up with it.

America is behind Europe and Japan in terms of accepting adult ideas in animation.

I've always said that, growing up in postwar Japan, I never felt any connection to my work through those experiences. The work I do really comes from inside myself. For me, being born in Japan was an accident.