Quotes About Innovation

I've always known from a young age that creativity is natural.

The last thing a young artist should do in poetry or any other field is think about what's in style, what's current, what are the trends. Think instead of what you like to read, what do you admire, what you like to listen to in music. What do you like to look at in architecture? Try to make a poem that has some of those qualities.

It's not easy to stand out as a young artist.

As a young artist, especially in rap and at that time that I came out, originality was big.

It is an honor for me to take part in Canon's Project Imagin8ion, partnering with a brand that is empowering young filmmakers and is at the forefront of technology.

Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.

I think the thing about film is, as it gets proved by a lot of young filmmakers now, that the medium will just go on reinventing itself, and so you just hope to be a part of that and not a part of some kind of endless regurgitation or 'Here I am doing what you know I do' kind of thing.

For young filmmakers, Saw is a perfect film. It doesn't cost the GNP of almost every country of the world.

I am delighted that young filmmakers want me in their films. They have open minds and a fresh take on old attitudes. I derive a lot of energy from them. Most of all, I find their love and respect utterly disarming.

Governments can make a greater effort to encourage computer science education, especially among young girls, racial minorities, and other groups whose perspectives have been underrepresented in AI.

I saw there was an open market because everything was pushed towards young boys, but we had nothing for young girls. That was a role that could be filled, and finding Bayley helped.

That's what I always wanted Man Repeller to do - to change the way people actually think. Showing young girls that there are no rules.

When I was a young guy, when I first started with G.E., Jack Welch sent us all to Japan because in those days Japan was gonna crush us. And we learned a lot about Japan when we were there. But over the subsequent 30 years, the Japanese companies all fell behind. And the reason why they fell behind is because they didn't globalize.

To a young kid growing up in Canada, America seemed to be crazy about the future; dazzled by it.

I was writing, directing, and editing my own films as a young kid with my parents' video camera.

I always found creative ways to make money since I was pretty young kid.

Young kids are doing the same thing I did, but they're doing it differently. They don't do brain surgery the way they used to do it either.

I'm pretty skeptical about a lot of the toys on the market, especially for young kids. Most of them just add these new technologies just to make more flashing lights.

We try to stay on the edge of the mainstream and look at what the most aggressive young kids are running toward.

As a young man, I experimented with everything.

I could imagine at a certain age, when I have no vocal cords left, that I would find a young man who could sing my parts for me. But I don't see why I would stop.

If I were a young man today, I might be lured into the moviemaking industry. You can really make a statement there.

There is a lot of pressure to top yourself... to come up with a 'Rumours II,' and that seemed like a trap.

I was joked by a lot of older musicians because I was playing saxophone over trap beats or future bounce beats, and it just wasn't what you do. They were just like play some John Coltrane and get in the corner. But that's just not how I work.