Quotes About Innovation

'Dark Souls' is my life's work; everything I came up with for 'Dark Souls III' is based on my personal preferences.

I don't think it'd be the right choice to continue indefinitely creating 'Souls' and 'Bloodborne' games.

I can't really describe my sound.

It is a neck-and-neck race between Mr. Gray and myself who shall complete our apparatus first. He has the advantage over me in being a practical electrician - but I have reason to believe that I am better acquainted with the phenomena of sound than he is - so that I have an advantage there.

I feel like music itself is inspirational enough. Especially with the Internet. Not to sound like a shut-in.

In life, a lot of great ideas sound insane or absurd at first.

As a DJ, people expect a certain sound and a certain danceability for the music. As a producer, I really like to let go of any rules that may exist.

I made that a point when I was creating my sound from the beginning, I didn't want to sound like anybody. Once I kind of found my own sound, I mastered it.

I don't have and have never had an email address. I'm old school. But as far as downloads go, my only objection is I like the sound of CDs better, so I buy those. I think the sound quality is better.

I want to be the biggest thing that's out because I'm different from everybody. I don't sound like nobody.

We gotta keep our sound alive, that dark hip-hop.

Everyone has said I got my own sound.

Rahman sir keeps pushing himself. He keeps trying new things, whether it is his craft, music or sound... he is always learning. He looks for opportunities to learn, even from children.

If you try to sound like somebody else, it will never work because we already have that person. You are noticed when you try to be an original sound.

When you got a sound that don't sound like nobody else and it's brand new, you've got to feed it to 'em. You've got to force it on 'em.

I think it's not only Babymetal's sound but also the fact that we dance to metal that represents a new way of expressing this genre of music.

What I love about the creative process, and this may sound naive, but it is this idea that one day there is no idea, and no solution, but the next day there is an idea. I find that incredibly exciting and conceptually actually remarkable.

What I can offer the game is creating a sound that, when you hear it, you know it's mine.

Jerry Goldsmith, I have to say, is my single favorite composer of all time. He was one of the most innovative guys ever to do it. You go back to 'Planet of the Apes' and it is just a monumental score - the sound design and approach to percussion was just so extraordinary. One of his great scores for me was 'Alien.'

Someone needs to remind American CEOs that if you can't run a company that is innovative, financially sound and doesn't poison the rest of us, You can't run a company.

There's been a progression in my sound.

Your limitations create your sound.

I like to create a sound and then leave it behind.

People become so deeply attached to the sound of one period that they blow a fuse when you move on. I've heard people complain bitterly about recordings they haven't even heard.