Quotes About Innovation

I did parallel entrepreneurship, which was very hard to do. It was hard to keep your head straight and know which ideas were with which company.

I'm excited about the idea of an act of theatre triggering a parallel creative act of writing.

Personally, I might be all for parallel or experimental cinema, but when I'm making a film, I don't mind adding a commercial tadka.

It's hard to really articulate what the parameters are that make one song parody-able and another song not, but if I can come up with a good enough idea for it, I go for it, and if not, then I have to move on.

I've worked in network and cable on and off for a number of years, and you just understand what your parameters are. A lot of times, I think the best work that my team has come up with comes from having to deal with certain boundaries.

When people talk about how parameters can generate really good work, there's no better example than working within a genre in film. That's like the ultimate parameter.

There is the egoism of technologists. We do it because we can create. I can handle all of the parameters going into the machine, and I know what is going to come out of it.

We were proud of our first two records, but the parameters were pretty narrow. We didn't have full drums, for example. There were just so many limitations to that setup, and we really fully explored them.

I think creating of any sort, whatever line you're in, is paramount - you can be an architect, you can be a banker, you can be anything - I think that when you create, you're closest to God and yourself.

Safety has been paramount for the Google self-driving car team from the very beginning.

I'd formed a research and development company under the banner of Paramount Pictures back in about 1975, and its mandate was to explore advanced forms of entertainment, not just movies.

The whole 'Djesse' project is, like, the paramount example of something that has evolved alongside me creating it. It started as one album, and then I realized that I had too many ideas for just one album.

I feed off the fashion world like a parasite.

Parenting takes a lot of creativity, and I embrace it fully.

With an apple I will astonish Paris.

I always loved bulbs, and I use light a lot in my shows. In my office in Paris, I have 300 bulbs.

I only came to Paris with the intention of showing what I thought was strong and beautiful. It just so happened that my notion was different from everybody else's.

The joining of the Japanese with the French should make a new movement. I think it should be good for Paris.

When I look back now, it must have been like Paris was at the time of Le Sacre du Printemps.

I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.

It is always a pleasure to see what NYC, London, Paris and Milan have to offer.

Paris is an old and traditional place; it needs new blood.

I used to play in rock bands. Then I went to the first school of electronic music in the world. It was in Paris headed by one of the most important people involved in electronic music.

One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.