Quotes About Approach

If you come at the Bible as if it's a document of encyclopedic information, you've pretty much killed any kind of life change in a seeker and unbeliever.

I expect 'Paramasivan' to be a big hit because I have given the screenplay a fresh approach.

I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.

Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.

It's fine for a bowler to have a plan but I feel as a batter you need to have another plan to counteract what they're doing.

If you think like a batsman, you have an upper-hand over the man you're bowling to.

Whether it's Alexander Brand or Sergey Kovalev, I approach every situation the same way.

We need an approach to Brexit that will help us end austerity, rather than prolonging it. That is why I will continue to fight to keep Britain in the single market after we leave the European Union.

With most British actors, it's amazing. I think they start with the character on the outside and work in.

Coming from documentaries, my biggest challenge was to understand actors' psychologies. American actors take it all very seriously; British actors don't enter into all this methody way of doing things.

I come from a broadcast background where I just prefer a lighter approach to my performance.

Well, I don't know about my mum; I think she is almost Buddhist in her approach to life in that she's not going to work very hard at any particular thing and she's not going to let any particular thing trouble her. I'm very different. I aspire to things and I worry about things.

I look at whatever the finish line is for the character and then kind of act backwards from that and play him in such a way so that that finish line is more rewarding.

You see a lot of bands and a lot of artists making that mistake: They become successful for doing something, and then they change everything. They change the people; they change the approach. And then, all of a sudden, almost the essence of what you do is gone.

I don't suffer from what I believe a lot of actors suffer from, in that they have to do certain things to be an actor, like endlessly study the script and endlessly think about the character. I wouldn't advise that to anybody.

A work of art can start you thinking about some aesthetic or philosophical problem; it can suggest some new method, some fresh approach to fiction.

I've been doing some acting, writing classes, and taking a holistic approach so I can actually be good at this craft. But ideally I'd eventually want to get my own show and make my 'Atlanta' or my 'Master of None' - whatever that would look like - in whatever media landscape that would best suit it.

If Rob Ford decided he wanted to run for the Liberal Party in 2015, we'd say, 'No, sorry, the way you approach things, the way you govern, the way you behave is not suitable to the kind of Liberal team we want to build.'

I think my style is perfectly suited to the way the game is played in the U.K.

Our style of play is increasingly based on possession of the ball. It suits me as a forward. We've got an attacking approach, and that means that I get a lot of chances; otherwise, I would have not been able to score so many goals.

So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the first contacts, perhaps the first contact, when Peter came that summer. So it's a very pivotal moment that is documented there.

Whenever I'm out on the basketball court, I lace up and just hoop. Whether it's in summertime, at practice, in the games, playoffs, every time I step out on the basketball court, I approach it the same way.

I had done a cover of the song 'Nenani Neevani' and put it up on Sound Cloud, which Sunny M.R., the music composer of Rowdy Fellow, came across. He liked it and approached me for 'Yedho.'

Works of art are of an infinite solitude, and no means of approach is so useless as criticism.