Quotes About Approach

I really liked 'Premam,' and when we decided to remake it, our intention was never to make a better film.

There's a particularly British way of going about things that I rather like, which is very different to the American way. It comes out of the amateur rep tradition of actors thinking: 'Well, I'm only 26, but I'll put on a beard and have a go at King Lear.'

It is in the best interests of my constituents and the country to repeal and replace the ACA, and defunding/delaying implementation is consistent with that approach.

It's a funny thing, my relationship with Deep Purple. I already felt the pain and confusion of trying to replace Ritchie Blackmore, which is a difficult thing to have in your head - since the time when you were a kid, that guitar sound and approach is what you associate with Deep Purple.

Compared to the United States, physicians in Europe have a much more conservative approach to joint replacement in general.

The reporting I did was mostly entertainment or lifestyle. I took a very different approach than most reporters. I approached it more casually than you would think a reporter would. Now I'm a morning radio personality, and radio is really casual.

I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves.

I am not interested in representing reality. Actually, I am interested in representing reality, but that doesn't mean a naturalistic approach, which I think is kind of impossible.

To me, I approach a small-budget, artsy, European movie the same way as a big commercial Hollywood movie. That's the most important thing. Hollywood usually represents this big dream in people's minds, but to me, it's just hard work.

I think Republicans make a mistake when they seek to be 'Democrat light.'

I approach most every job that I do with some sort of team ideal involved.

I have an idealistic approach to acting. I want to be great at it, but you can't be great if the scripts are not there and the director doesn't know what he's doing.

The best approach to risk is to identify and manage it.

Every project is different. Adapting 'Robopocalypse' would be totally different than adapting, say, 'Hunger Games.' Each project has its own life and its own identity. You get into trouble when you think there's one single way to approach everything. Each project, there's a different way to attack it.

Each story we approach in the same way, with curiosity and interest and determination to get behind the image.

I'd always maintained an image so that people wouldn't approach me.

I believe on the issue of immigration, you have to deal with it sensibly.

We must face up to the long-term failures of Britain's approach to immigration and make the argument for an effective, compassionate and liberal alternative.

The way that PSG approached me was impeccable. I felt wanted.

I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.

It is not what I do, it is the way I do it, that will get me in the end.

Who says a lighthearted approach to business is incompatible with success?

It's incumbent upon a director, if you want to pull the best performance out of an actor, you have to really work to who they are and how they work and not just expect them to hit a mark every time. You have to be very adaptable in the approach that you use with every different actor.

With Suzuki, the commonsensical approach that would see Zen as a product of Japanese culture is inverted, and Japanese culture becomes a multifaceted expression of a unique phenomenon, or rather of a metaphysical principle named Zen.