Quotes About Production

Sometimes I hear records that are being recorded at the absolute highest quality, and I just don't like the sound of it.

We are just a rock and pop band, that's what we are. And I believe we recorded the records to feature the songs rather than it being a giant production.

Writing the songs and producing the songs and arranging them and recording them is your canvas and your palette and your brush.

I prefer recording drums in the analog format, but that does not mean I would only do it that way.

I've got the recording process down, and I can knock it out very quickly.

My goal has always been to make classic records, classic albums. Sometimes the recording process and the era it was recorded in means the production leans in a particular way, but to me they are all part of the same process.

Joseph Gordon-Levitt's career is kind of how I want to create my career. He's very involved with his recording and production company and also worked on some really great projects.

I've been more and more into production lately, and I really, really love that. I love recording.

When people are recording, and they're like, 'I want to get the drum sound of the Beatles,' I hate that.

People keep inventing all these new machines, and producers and recording engineers keep wanting to use them.

For me, it's always just about playing the song and recording it and giving it what it needs as a song.

The writing and recording process is what I enjoy, it allows me to be creative and work with different artists and producers.

I realized I liked being in the studio and working on translating the ideas into recordings.

It's people, not possessions, that make home for me. It's not that I get much time to entertain, or any of that, what with the television production schedule and, now, singing concerts all around the country and making recordings.

Throughout college I was getting better and better at making recordings, producing songs, making different kinds of beats.

I produced Run DMC. I produced some early records, lots of records early on.

There's nothing like Nashville for making records.

Like with me, like around '97, for Christmas my parents bought me an MPC 2000 sampler and a little eight-track cassette recorder. And I started sampling records and, you know, producing hip-hop beats. And it got to the point where I realized - I innately realized that the music I liked the most was made by people that played instruments.

All the Public Enemy albums, I knew what records they were sampling but was like, 'How'd they construct it like this?!'

This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.

I'm influenced by a lot of different genres of music. So I'm constantly trying to rework production and make things interesting in the live show and on records.

The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to recreate that.

In general, investors prefer companies to reward executives for producing recurring income, not one-time gains.

I worked a full-time job at a place call Caraustar. We recycle paper, then through recycled paper, we take it and we make V board out of it. If you buy a TV, a new couch, you see these little V boards that make like a V.