Quotes About Production

I thought it was getting better and better, because the production values were increasing each time we did it.

Making movies is time-consuming and it's boring. You spend most of your time waiting between takes. It's like a big machine that moves slowly.

Capital creates space-time.

For the first time in the history of photography, we can study the real-time production of snapshot making - globally! (On Flickr and other photosharing websites)

A horrible script 99 percent of the time means a horrible movie. But if you start with a good script, odds are you're going to have a good movie.

Every time I make a movie I have too many characters and too many locations.

In a world where routine production is footloose...competitive advantage lies not in one-time breakthroughs but in continual improvements. Stable technologies get away.

I had the most fantastic time filming 'Downton.'

I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.

Nobody in Hollywood ever sets out to make a bad movie ever but about 99% of the time, that's what happens.

I think there are certain technical things about acting that change between working in film and television. Everything definitely slows down and we have more time in film.

[Television] is a great medium for writers, because there's just no time for a studio to interfere very long. You write it, you shoot it; it's on TV.

It really does take a lot of time to make records, to be in the studio and do all that stuff.

Over in Hollywood they almost made a great picture, but they caught it in time.

I have Pro Tools on my computer, and I make CDs all the time.

On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes.

The funny thing about television is that once you start to do it you never get time to watch it.

You're not really just a filmmaker that makes a movie good most of the time. It's everybody involved; it's a collective effort.

The wonderful thing about film is that you have something that has a beginning, middle, and end, and you have a concrete amount of time to shoot it.

With animation, if something does not fit, you always have the time to change it. When you make a live-action movie, when your days of shooting are over, they are over forever.

First, creating moving-image particles using MoCap technology requires a very complex and long production pipeline. Moreover, rendering these particles takes a lengthy amount of time.

When you're fast when you're shooting, there are great things that you discover. By being fast you also sometimes get more time to experiment.

Studios are an assembly line. They can be a very good assembly line. As a producer, you concentrate on one project at a time. As an executive, you're in charge of a slate.

There's a lot that you can do in television that you can't do with a film, theoretically. At the time, the only possibility was to do a movie.