Quotes About Production

I think Justin Bieber should let me executive produce his album.

I competitively want to produce just as many records for Drake as Kanye West did for Jay Z.

It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.

Making a series can sometimes feel like you're keeping a secret for months until it comes out; so when it finalizes in front of you, if you like the final product, it can be very exciting.

I co-produced 'Boyfriend' by Justin Bieber and worked on Labrinth's album, so I've been keeping busy.

As much as innovation is important, I think we also need to just make stuff. If we look at Kenya, where I'm from, as an example, we are importing everything down to toothpicks.

Kevin' was shot in 30 days.

I think the biggest difference is in live action, you show up, and there's a set there and a ground to stand on, at least, and in animation, there's kinda nothing. You are making decisions on everything.

Very often, things that people may think come from the writer, very often don't. There's a lot of cooks in the kitchen when it comes to making a movie. When you hear a line of dialogue that sounds kind of tinny, it's pretty easy to cite the screenwriter. But there's a lot of stuff that goes into making a movie.

If you bring in actors right when you're breaking story, it has a 'too many cooks in the kitchen' effect.

You have so much responsibility because when you're in the kitchen, it's not just food, it's where the food comes from, what you did with production, what you did it with human interaction, and how you did it with different cultures. Food becomes a mark of activism.

'Dark Knight' shot in London and Chicago, and we were on that for so long.

We'll set up a demo session and try to knock out eight or ten songs and make them sound as close as we can to a record with the money and time we have.

Something like 'Knock Knock,' I was trying to do a Joe Meek, 'Johnny Remember Me'-type thing.

Americans might not understand, but within Korea, Big Bang was one of the first artists to make their own production. We have our own interpretation of our own songs. We do our own thing.

Like everything at Big Machine Label Group, the music comes out when it's ready.

I hear people telling me a lot that the production of that particular record - 'One Part Lullaby' - really influenced them. I'm like, 'What? We were dropped from the label after that!'

I couldn't put any kind of label on my production aesthetic.

Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.

The chicken industry tells the public that economic profitability cannot be achieved without careful attention to the welfare of the chicken, but this is not how the system actually works. Chickens can be profoundly mistreated and still "produce," just as profoundly mistreated humans can be overweight, sexually active, and able to produce offspring. Like humans, chickens can "adapt," up to a point, to living in slum conditions. Is this an argument for slums?

Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks.

Nothing can have value without being an object of utility. If it be useless, the labor contained in it is useless, cannot be reckoned as labor, and cannot therefore create value.

What was new in what I did was: (1) to demonstrate that the existence of classes is tied only to definite historical phases of development of production; (2) that the class struggle necessarily leads to the dictatorship of the proletariat; (3) that this dictatorship is only a transition to the dissolution of all classes and leads to the formation of a classless society.

Capitalist production, therefore, develops technology, and the combining together of various processes into a social whole, only by sapping the original sources of all wealth - the soil and the labourer.