Quotes About Production

The 'Bachelor' producers have scripted and are responsible for certain events: the first moon landing, the end of the cold war, Astro-turf, and the Internet (sorry, Al Gore, it was us). But we are not responsible for, nor have we ever scripted, the ending of this show.

I've discovered that sheer quantity doesn't necessarily make for a heavier sound; if anything, overdubs make guitars sound mushier.

I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.

It is at least 10 times more difficult to get a good synthesiser sound than on an acoustic instrument.

You have to have a certain amount of grit in your sound, and having real synths and talking certain elements outside your computer can help with this.

The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make.

I don't really want to be doing high budget, where they've got cranes and everything. That just sounds boring, having to do the same thing over and over again.

It's not easy to sound like Dilla, but you can make beats like Dilla with your computer, so that's why everybody sounds like Dilla.

When you listen deeply to a song, you find all the little sounds they use and subconsciously learn how to produce and mix.

Whatever sounds best to the ear, to the whole team of people who are producing the song, is what works eventually.

You can sit down with Reason or Ableton and literally in a couple of hours make a very good-sounding record. But then a lot of people become contented with that, rather than pushing themselves to making something that sounds great.

I am always working on new material with my production partner Phil Murphy in our guise as Man Ray; we do a lot of soundtrack work & some great collaborations.

We use a lot of source music on some shows and none on others.

By encouraging conservation, increasing investments in clean, renewable sources of energy, and promoting increased domestic production of oil and gas, we can build a more secure future for our country.

Over the last two decades, America has increased its demand for oil by nearly 30 percent, yet we have not expanded our ability to produce domestic sources of fuel.

We need to break our dependency on foreign sources of oil, which leaves us at the mercy of foreign powers. To do that, we should increase domestic energy production.

On energy, we should be exploring for domestic sources of energy.

Early on I did all the production for UGK, like on 'Southern Way.' Yeah, 90 percent of the production and not for any other reason then I couldn't find anybody that would give me what I needed, so I had to make it myself.

So we originally expected to make about 35 gigawatt hours at the cell level and about 50 gigawatt hours at the module or pack level. Now we are expecting to do about 150 gigawatt hours in the same volumetric space as the original design.

The ship's transporters - which let the crew 'beam' from place to place - really came out of a production need. I realized with this huge spaceship, I would blow the whole budget of the show just in landing the thing on a planet.

The watchword of the future will be HUMAN HAPPINESS AND CONTENTMENT, and when this state of mind shall have been attained, the production will take care of itself, more effectively than anything that has ever been accomplished where men did not, and could not mix FAITH and individual interest with their labor.

There is more money in designing a shoe than in actually making it: Nike, Dell, and Boeing can get paid for just thinking, organizing, and leveraging their know-how and ideas while subcontracted factories in developing countries do the grunt work and engineers in cultured and mathematical states do the noncreative technical grind

If production continued, the Allies would likely attack Vemork again. He wanted to move the plant's high-concentration equipment—including all existing stocks of heavy water at every level of concentration—to Germany, where a new plant would be constructed.

The Germans now wanted to increase heavy water production to five thousand kilograms a year, and Paul Harteck, whom Tronstad knew from Cambridge, was on his way to advise on new methods to obtain such levels. Realizing the importance of conveying this information to the British, but with Skylark B in jeopardy, Tronstad found a courier—a man planning to escape by boat to Scotland the following week.