Quotes About Production

he thought of development as a collection of things for producing, not as a process of change. The process itself was something he could not buy, nor Western Europe sell.

Is it not possible for the economy of a city to be highly efficient, and for the city also to excel at the development of new goods and services? No, it seems not. The conditions that promote development and the conditions that promote efficient production and distribution of already existing goods and services are not only different, in most ways they are diametrically opposed

Which was one reason why Revolt of the Zombie Strippers was being shot in Gallup and not in a warehouse in Van Nuys.

I was thrown into a community production of 'Bye Bye Birdie' or something when I was a kid. I wanted to just build the sets, but I wasn't allowed to just build the sets unless I auditioned for the play. So I auditioned for the play and was thrown into the chorus. During the course of that I fell in love with it, and I never really turned back.

I don't commit to things unless I have my A-team to do it. And I'm not trying to be cocky, but that shows in my productions. They are top notch!

Filmmaking is a very collaborative art. Unlike a painting that an artist paints sitting by himself, as a director, you have to work with a team.

Unlike fiction, which you create before you go into production, with reality you kind of create it after everything is produced. The drama and the storytelling is really done in post.

I think the amount of production value that was put into 'Game of Thrones' was incredible, and it's unlike anything I've seen on any other production, including 'The Lord of the Rings.'

Unlike a pressed or blown-glass part, which traditionally has smooth internal surface features, a printed part can have complex surface features on the inside as well as the outside.

For a country like India, which, unlike China, has domestic market for which manufacturing happens, manufacturing also happens for export.

I never liked the glossiness of highly produced standup specials in general - I like it where it has more of a feel of the type of places I usually perform. It seems kind of weird when you do a special to go perform in a place unlike the place where you perform 95% of the time.

Unlike many hour-long scripted American dramas, 'Succession' has very few standing sets.

Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.

Quavo's energy in the studio in unreal.

Sometimes, and I hate to say it, you do feel things are asked for in the most ludicrously unrealistic fashion. The time you are expected to make things in, and the money you are expected to make them for - that is the death of creativity. Just because some things can be made very cheaply does not mean everything can be.

I wanted to be involved in TV and film in some capacity, so a compromise, because acting seemed unrealistic, and so risky, was to get into the production side. And it was a really fortunate, smart move looking back on it, because it gave me perspective on another side of the business.

With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.

This has a lot to do with the unrest in Nigeria, but also with the production loss after the hurricanes in the Gulf of Mexico, the decline in Iraq since the 2003 war, and the decline in Venezuelan output since 2002.

Looking ahead, the bright spot in Indian agriculture is the availability of a large untapped production reservoir.

The rising levels of production and content are prompting producers to take up unusual subjects.

Ninety per cent of the times, filming is a cakewalk. You start it, shoot it and release it without any major hassles. Then comes along one film that gets stuck or faces unusual problems.

My greatest trouble is getting the curtain up and down.

Production is a different thing. Being a Coach is different from actually getting on the field with a bat and playing upfront.

As for theatre, there's ups and downs to everything. Theatre is ephemeral. But that is part of its charm because you can always say the production was better than it was.