Quotes About Production

But what's interesting is now - and not only in horror, but across the board - the studios basically only make B pictures with A budgets. That's the biggest difference.

I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.

I don't mind being in studios, and I don't mind being out in nature. They're two different ways of making movies.

New Mexico is the second Hollywood. No, it is, it is. They built all sorts of film studios.

We don't program movies. We don't run studios. We make movies.

Many leading studios and production houses in India are in the queue to make original content for Netflix and Amazon Prime as well.

Many music directors have studios at home.

I definitely want to study film. I'd like to have my own studio one day and just make a lot of movies.

Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.

I doubt I'll ever pay someone to do a remix again, because there's some amazing stuff just coming out of bedrooms.

Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers.

Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling.

We'll never change the fact that we are hardcore hip-hop and we make rebellious hip-hop music, and we're going to keep doing that and progress with our production, progress with our lyrical styles, be creative, and just have fun with it.

I've worked with Childish Gambino for so long, so I've learned that from those producing skills - how to really produce music - where, of course, it's about writing, but it's also about combining sounds and styles and genres.

Did you notice what happened when digital photography arrived? Suddenly there were four times as many people on set for a shoot! It used to be a photographer, a couple of photo assistants, stylist and a fashion assistant, hair and make-up and that was about it.

'What doesn't kill you makes you stronger' not only applies to the deeply personal subject matter of 'To the Bone' but to simply getting a film about people with eating disorders made. Without the brilliant Julie Lynn, Bonnie Curtis, and Karina Miller producing, there's no way this project would be coming to fruition.

I think in terms of content and subjects and whatever kind of production it dictates. Can I conceive of an idea that would really connect with my personal rhythms and cost a lot of money? I don't gravitate in that direction, but it is possible.

It's not easy to make films that one wants to because it is not easy to find a producer that fast for the subjects I want to make. They are not hot cakes in the market.

What happens is you submit your script with an idea of what the budget might be, and the financier will offer you less than that. In order to do it for less, it means cutting out the art, usually.

Each creative choice you make has 'x' many impacts on budgetary choices, which in turn have 'y' many impacts on your subsequent creative choices. They feed each other.

A couple of weeks later, the play was produced at the Fox Theatre, with more than 4,500 seats, and it sold out—two shows.

Everyone has the right to the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.

They use everything about the hog except the squeal.

Take a factory, a railway, a ship on the high seas, said Engels: is it not clear that not one of these complex technical establishments, based on the use of machinery and the systematic co-operation of many people, could function without a certain amount of subordination and, consequently, without a certain amount of authority or power?