Quotes About Production

In the first years after 1989, films were partly financed from the state's budget as well as by public television. Still, except for a few special cases, most films are made this way.

I am so excited about my partnership with Thinkfactory Media.

We shot 'Party Girl' on film, and I remember being told, 'We need to get this in two takes because we don't have a lot of film in the mag right now!'

The evil of the present system is therefore not that the "surplus-value" of production goes to the capitalist, as Rodbertus and Marx said, thus narrowing the Socialist conception and the general view of the capitalist system; the surplus-value itself is but a consequence of deeper causes. The evil lies in the possibility of a surplus-value existing, instead of a simple surplus not consumed by each generation

The civilized man needs a roof, a room, a hearth, and a bed. It is true that the bed, the room, and the house is a home of idleness for the non-producer. But for the worker, a room, properly heated and lighted, is as much an instrument of production as the tool or the machine. It is the place where the nerves and sinews gather strength for the work of the morrow. The rest of the workman is the daily repairing of the machine.

His local campaigns around Macedonia also augmented that absolutely essential economic resource: slaves-slaves to work the mines, slaves to work the fields, slaves to keep the whole economy humming.

As a supporter of a 'German Socialism', Strasser advocated views different from those of Hitler, particularly on social and economic issues. He demanded the 'nationalization' of land and of the means of production, and within the NSDAP represented a decidedly anti-capitalist stance.

students are taught that knowledge is static and complete, and they become experts at consuming knowledge rather than producing knowledge." This is unacceptable.

It takes twenty-one pounds of protein fed to a calf to produce a single pound of animal protein for humans. We get back less than 5 percent of what we put in.

Human nature was becoming an assembly-line edit, Humanity itself increasingly relegated from production to product.

major American agricultural concerns.

Looming over all such changes was globalization—the dispersal of the world's trade and finances through advances in shipping, air freight, telecommunications, and computerized banking and money exchanges, which allowed U.S. businesses access to lower-cost workers and production overseas—a trend that accelerated when the Soviet Union collapsed in 1989, bringing down the iron curtain and opening new markets as well as cheap labor to global producers. This

Ng??i ta th??ng có ?o t??ng r?ng có th? công nghi?p hóa má»™t qu?c gia b?ng cách xây dá»±ng các nhà. Không ph?i. B?n công nghi?p hoá b?ng cách xây dá»±ng các th? tr??ng.

Ng??i ta th??ng có ?o t??ng r?ng có th? công nghi?p hóa má»™t qu?c gia b?ng cách xây dá»±ng các nhà máy. Không ph?i. B?n công nghi?p hoá b?ng cách xây dá»±ng các th? tr??ng.

Americans become unhappy and vicious because their preoccupation with amassing possessions obliterates their loneliness. This is why production in America seems to be on such an endless upward spiral: every time we buy something we deepen our emotional deprivation and hence our need to buy something.

You have to understand that crew members make movies so they're seeing a lot of actors all the time in their career acting.

producteur de la valeur de l'œuvre d'art n'est pas l'artiste mais le champ de production en tant qu'univers de croyance qui produit la valeur de l'œuvre d'art comme fétiche en produisant la croyance dans le pouvoir créateur de l'artiste.

Well, why should I sell the Canadian farmers' wheat?

You can tap into culture by exploring what's grown or produced in the region, like going into the Blue Mountains in Jamaica to visit a coffee plantation or a rum distillery in Barbados.

My first visit to Lucknow was perhaps in 1995-96. I was then working with theatre director Ranjit Kapur on the production of 'Court Martial' and we travelled to Lucknow on assignment.

If you ever want to eat a tuna sandwich again, don't go to a tuna factory. I visited one where they had two lines: one was the human food line and one was the cat food line - and they didn't look any different.

It's been noted that writing about the production of art is a masquerade or metaphor for writing about writing. This may be true, there are similarities - both the verbal and the visual represent the thing or the concept.

'The X-Files' from the beginning was a very visual show, and with Bob Mandel directing the pilot and Dan Sackheim being involved in the production of the pilot and directing the first episode, they brought a visual style to it that was elaborated on by so many good directors.

I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.