Quotes About Production

I think we spent 60-something million on 'Hateful Eight,' which is actually more than I wanted to spend, but we had weather problems. And I wanted to make it good.

I bought a year's production of flax from a single field owned by a Dutch producer. That's 10,000 kilograms of flax, enough to enable industrial level production. Now, I'm weaving it into tablecloths, tea towels, and other items at the Textile Museum in Tilburg. I'm producing hundreds of grown-up products!

There's no reason for Gillette to be world class on the web, but there's every reason for Gillette to be world class in producing billions of high powered razor blades at low cost.

Once you understand that everybody's going to get connected, a lot of things follow from that. If everybody gets the Internet, they end up with a browser, so they look at web pages - but they can also leave comments, create web pages. They can even host their own server! So not only is everybody consuming, they can also produce.

While there are certainly food-focused content out there on the Web and on TV, most of this content need to weave through many layers of editing before it reaches the viewer.

I think that the instinct that people have when they see a beautifully produced web series is that they think it must have been made for television and they just chopped it up and put it online.

I'm going to do a sequel to 'The Girl with the Dragon Tattoo' and this one is called 'The Girl in the Spider's Web', which is an American production. It's a clean slate: new cast, new director and everything and they're skipping from book one to book four.

Everything we do is designed, whether we're producing a magazine, a website, or a bridge. Design is really the creative invention that designs everything.

Making a website is similar to making a movie-hundreds of people work on it, one person makes the final decision, and they make them every minute of the day.

The Red Wedding was an amazing experience I'll never forget. We rehearsed it like a play over one whole day, and then shot it over five days.

We have to devise ways to lower the cost of production and reduce the risks involved in agriculture such as pests, pathogens, and weeds.

Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.

I found out animation is incredibly boring. You draw and draw and draw, and it's only a few seconds done in a week.

Taking a role in a drama series takes a lot of energy, as new episode must be made every week.

I can't frankly see much difference in the film industry at all. The only difference might be that they don't take as much time as they used to. For example, they'll do in one day what we used to take a week to do.

The first Vampire Weekend record was the first full-length album that I produced.

So when 'Skatetown' came up at Columbia and Ray Stark's studio, the idea was to do it quick. They wanted it out in the fall, and they gave me the treatment on July 4th weekend! I wrote it in four days, and, you know, it kind of looks like it.

You could do a scene that takes 15 hours, but in the movie, it's only 10 minutes. The scene where they put the sauce poisoning in; it took eight hours.

My husband and I are in preproduction of three movies, a Latin show, and a children's animation. I'm doing a very unique nail polish line, and finally, I'm developing a hair care line because people always ask me about my hair care system. I do a mask once a week that my grandma taught me how to make, so I want to share it with everyone.

The second episode of any new show can be tough. You have about a week to top the well-crafted and polished pilot episode that was written over six months.

I am not a politician. I am an engineer who has spent most of his career working in factories that manufacture the world's most advanced devices.

When I look back at it, I'm mostly amazed at how poorly it was shot. David Kelley is a great writer, and I thought the scripts were great, but it just looks so cheap.

Everybody has called Pop Art 'American' painting, but it's actually industrial painting.

Every single song on 'Torches' was a little self-contained pop song, so there wasn't any fat on the songs; there wasn't a lot to cut.