Quotes About Production

Producing all my own songs and refusing to go to the hot producer. That's the biggest risk I've taken so far.

Most of the albums that have taken long have been related to illness and fatigue or producer problems.

I've taken considerable gambles on shows, but they're very considered gambles.

Customers want to buy something which is not expensive because of a label but which is costly because of the time taken to produce it.

Financing for 'Shotgun Stories' was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called 'Upload Films' came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.

In 2017 I started writing 'Mahabharat An Epic Tale' and it took me two years to write it and prepare the production with Rahul Bhuchar of Felicity theatre, and we launched it on the 17th of Nov 2018 and it was a super success.

One thing I learnt was that you don't have to spend all day shooting: you can get it done in half an hour if you're that talented as a cameraman.

Since 'Naan' happens to be my production, I've decided to use this as a platform to help new talents.

In a movie you have all these logistical problems; all these practical problems. But you're also going to have people come who can do things that you can't do, and you get to direct their talents.

Most talk about 'super-geniuses' is nonsense. I have found that when 'stars' drop out, successors are usually at hand to fill their places, and the successors are merely men who have learned by application and self-discipline to get full production from an average, normal brain.

I'd met Dr Dre, he was thinking about his next album, we talked a little and he said, 'Let me give you some of these loops and see what you come up with'.

The more producers I talked to, the more I got looked at like I was crazy for wanting to make a live-sounding album.

Technology was changing just as we were getting started. You had these records by people like David Bowie and Talking Heads and Brian Eno that took production into a whole new direction. That really influenced us, and pushed us to find that early sound we had.

I mean, Joel talks to the actors more than I do and I probably do production stuff a little more than he does.

In the end, everyone talks. We're all evaluated and judged on. It's about production and results.

My plan is, I'm in the process of creating a production company called Tall Girls productions. I want to be doing both film and television. I'll never leave television. I just love working in it too much.

I heard the new film, 'Tangerine,' was filmed entirely on iPhones. No cameras were involved!

I remember telling the 'Tangled' crew about grimace moments: how when you watch a movie that you worked on and you think, 'Ah, I wish we could have done that scene better,' or, 'I wish that we'd had the time or the money to fix that particular story problem.'

Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'

I actually enjoyed making 'Tango In The Night.'

Making a pilot is never a seamless process. If it is, it usually tanks.

Software development is fundamentally a design activity, in that it involves an ongoing process of decision making until the developed system goes into production.

Are you a consumer or producer?

The real aim of colonialism was to control the people's wealth, what they produced, how they produced it," Ng?g? wa Thiong'o sees the way that control was introduced and managed was to deconstruct the people's sense of self and replace it with that of the colonizer. This would occur when a people's perception of themselves and their world was overthrown.