Quotes About Production

You just start going through that process of trying to put together a cast that works. I don't know that I can explain it in a way that you can go, 'Oh.' It's a little bit like saying, 'How would he be with him? How does that feel?'

I roughly draw the scene beforehand to be more confident on the set. Instead of talking and explaining certain things, I try to visually communicate the scene to my team with the story board. This is how I work.

I always loved doing a movie with Daldry. That's always a huge factor for me.

It's much more difficult to make an unbound book than a bound book, because the factories aren't set up to make an unbound book.

Factories are often at the heart of a community.

A lot of factors go into the longevity of a show.

I think it is important that we should be on the side of keeping borders open with respect to trade and movement of factors of production.

The factory is the machine that builds the machine.

The house is a factory.

China is bearing the environmental cost for much of the world because China is the factory of the world.

A bar is a factory, a marketing organization, and a service organization all in one.

We make songs like a factory and put them out.

I love making documentaries. But I do like other factual entertainment as well, and I like doing the lighter stuff.

I do worry that we're failing in a whole bunch of fundamental ways to distinguish for our kids between needs and wants. And we're failing to distinguish between production and consumption.

A product can turn bad, not the production. When you start a film, you feel it will be great. But sometimes, as it progresses, it fails somewhere. You can't blame anyone for that. You can blame only your own intelligence!

Making a movie with Lindsay Lohan is not for the faint of heart.

A lot of TV is put together by teams, by writing staffs and several different directors. It's a great, very smart way to make television. It's worked for however long TV's been around.

'Stargate SG-1' is one of Sci Fi's sure-fire hits. It's got one of the best ensemble casts on television and one of the best production teams as well.

The thing I really love about film is there's a really big sense of teamwork, and everyone has to do their job to the best of their ability to make the film work in the first place.

The tubular steel chair is surely rational from technical and constructive points of view. It is light, suitable for mass production, and so on. But steel and chromium surfaces are not satisfactory from the human point of view.

If you take a regular animated film, that's being done by animators on computers, so the filmmaking is a fairly technical process.

I'm not the most technical producer, so the weird mixes and blown-out sound happen naturally.

From the first moment on the set I was consumed with curiousity about the technical side of shooting a sound picture.

Film and television essentially feel the same when you're doing it, because it's the same technical approach.