Quotes About Production

I believe that the profits will come from the quality of your creative products. Since the beginning, I've always wanted to develop a self-feeding circle of creative productions: the positive financial returns from one show would be used to develop and create a new show, and so on.

Profits might also increase, because improvements might take place in agriculture, or in the implements of husbandry, which would augment the produce with the same cost of production.

We will ensure that the important characters of what make 'Make in India' an important flagship programme for PM Modi is given full play for defence production. 'Make in India' needs to take over so we benefit from what is manufactured in India and finds an international market.

Some machine-y music is great, but you can apply any groove to any song now - there's literally a massive drop-down menu on most programs. And that's what takes the human being out of the process.

You know, as I'm progressing with my sound, I just realize when you got a simple sound with crazy percussion in the beats, it makes it. It kinda shapes my sound when it comes to what makes a Tay Keith beat.

I always wanted to play a bigger part in the process of cinema, so production felt like a very natural progression and calling.

I think a project is full of charms if it's a good production or has a character that I'm greedy for.

Television and movies just take so long. If you pitch a show or develop a project, it can be a year before your show even gets on the air, if it gets picked up.

I've always thought of the project as a sort of sexually driven digestive system, that it was a consumer and a producer of matter. And it is desire driven, rather than driven by hunger or anything like that.

I can see myself doing production work and handling projects behind the scenes.

I have a bunch of concepts and ideas that I want to do but I have also been growing my production company in general and looking to branch out of projects that I am directing and producing.

I already have a production company called J Squared and we're working on two projects.

Some writing and production projects will be a great way to spend my elderly rock years.

On 'Paranormal Activity,' it worked to my advantage not to have much of a crew, but on a bigger movie, where you have to work with a larger group of people who basically become your second family for a few months, it can be a great experience. Even though all of my projects are small scale compared to most Hollywood productions.

I haven't thought about writing so much as potentially producing and finding my own projects to get into production. I want to be able to buy the rights to a story that I have read or a book that I have read.

I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.

I've not been a prolific poet, and it always seemed to me to be a bad idea to feel that you had to produce in order to get... credits. Production of a collection of poems every three years or every five years, or whatever, looks good, on paper. But it might not be good; it might be writing on a kind of automatic pilot.

I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.

I will not promote other people's songs big time. I will just mention that I produced the song to get the credit I think I deserve.

Film budgets are huge. They can afford to promote each and every song in their album.

We have to learn to live with fewer imports and more exports, promoting national production.

Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.

It takes time to write a script and properly make the film and edit it.

This programme would only really make sense and work properly if it was also broadcast on France's international television channel TV5. So I ended up with a double production, on France 2 and TV5.