Quotes About Production

In many critical things, such as the very high purity of the aluminium we need in aerospace, we only have one producer. That's not a good formula.

Original Monkees' songs were produced very thinly, on purpose.

'Generation Kill' was not a very glamorous shoot. For all intents and purposes, it was low budget, and all the money they had went to what you see on the screen.

I'm not somebody who can tell if the song is good enough to be pushed until I hear what it sounds like after all the bells and whistles are put on it.

It's always been difficult to make a good record. To be perfectly honest with you, it's really about the person that's pushing the buttons. No matter what type of equipment you have, you still have to have a certain talent to be able to make a good record.

For more than a decade, I led an organization that put on an elaborate Christmas program each December. It was a big production, with over 250 people participating in more than 20 performances. By the end of the season, everyone who participated was exhausted.

The Disney Channel puts out movies, like, every couple of months.

There's a myriad of things that go into why movies don't happen right when you make them. If you make a movie in 2010, sometimes it takes up to a year for post-production, and that puts you into 2011, then you have to figure out what your product is, and that takes some time.

In terms of the production, the style I use is what I see as the 'Lisa Stansfield sound' and I would hope that when anyone puts on one of my songs they don't even have to listen to my voice to know this is a Lisa Stansfield song, because of the way it sounds.

I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.

GusGus records are flawless.

People like my beats because of the crazy flow with the hi-hats and the bass.

I can clearly hear a lot of grime influence on Timbaland's stuff, on some of Drake's flows.

People still kind of think of me as like a folk artist, but on the first record, I truly was deferring to other people to produce me.

TV people are great folks, but if I said, 'Come and film a beetroot-jar-opening competition,' they would.

The economy of film forces you to make choices.

Although there were only about 24 episodes made it seems to run forever. They take a couple of episodes and put them together, making a feature film once in a while. I had good fun making the series.

You cannot make an aircraft without forged components.

A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.

The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.

Foster the People wouldn't exist without Mophonics.

We are definitely doing 'Sonu Ke Titu Ki Sweety 2,' it's a great franchise to take forward.

I've always wanted to do a big theater show in San Francisco.

A lot of a movie is locations, frankly.