Quotes About Production

But a rise in the wages of labour would not equally affect commodities produced with machinery quickly consumed, and commodities produced with machinery slowly consumed.

There are 20 million unemployed and what does the Constitution offer us in the Europe of 25, 27 and soon to be 30: policies of unrestricted competition to the detriment of production, wages, research and innovation.

In this view, the role of the great majority of Americans is simply to buy the products produced, work happily for their wages, and leave all of the significant economic decisions to the capitalists.

In January 2012, Caterpillar locked out union workers at a locomotive factory in Ontario after they rejected a pay cut of about 50 percent; the company shuttered the plant and moved production to Muncie, Ind., where workers accepted lower wages.

The biggest surprise about making a movie has got to be the wait in between takes.

The first job I got was a production of 'Fame - the Musical,' at the North Shore Music Theatre in Beverly, Massachusetts, and it got me my Equity card, too. I waited 12 hours to be seen for it, though!

When we produced 'Highway,' Imtiaz Ali and I planned it as a quick small experimental film, while we waited for Ranbir Kapoor's dates later during the year.

Art is the production of objects for consumption, to be used and discarded while waiting for a new world in which man will have succeeded in freeing himself of everything, even of his own consciousness.

Opportunity ideas do not lie around waiting to be discovered. Such ideas need to be produced.

In filming, you're waiting - you're waiting for lights, you're waiting for people to set things up - and when you're not waiting, you're repeating.

Making a movie is a long, dull process. There's a lot of waiting around.

I love to be creative and to put flesh onto the ideas that are inside of me. And there are not that many great programs that are coming out through Hollywood, and I'm tired of waiting around for someone to hand me a good script, so I'm going to go and produce something.

It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time.

We didn't shoot in 3-D. They've talked about doing a conversion and there's been a lot of talk about us doing 'Sucker Punch' in 3-D, but I'm still waiting to see.

I don't want to find myself at the age of 60 waiting by the telephone for someone else to decide if I am capable of being in what might be a crummy TV production.

I love TV, don't get me wrong. But with film, you're just banging out this one product, and you're not waiting on another script. You have your script. It's great in that way. It's as close to theater as you can get.

I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.

The thing with making your art your business is: It's a business. You can't sit around waiting for the muse, especially when you run a show, and you're in production, and an outline is due, a script is due, and a reshoot is due. No. You look at the calendar, and you go, 'OK. I can write from 4 to 6.' So you write.

You can definitely tell the record was made for the time that it was and on the budget that it was. 'Waking the Fallen,' I mean. We think that it is cool. It serves its purpose. It serves its time. We don't want to remaster it or anything like that.

You take one bomber and deploy him in Baghdad, and another is manufactured in Riyadh the next day. It's exactly like when you take the toy off the shelf at Wal-Mart and another is made in Shen Zhen the next day.

When you walk onto a Peter Jackson set, you can see straightaway that money isn't an issue.

NYFW is not just about the designers and the runway. It is a massive production from the celebrities in attendance, the assistants backstage prepping the models before they walk to the epic after-parties!

There's nothing like walking onto a Hollywood sound stage.

I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.