Quotes About Novels

In the second place the seat next to the driving seat was encumbered by several maps, a handbag, three novels, and a large bag of apples. Mrs. Oliver was partial to apples and has indeed been known to eat as many as five pounds straight off while composing the complicated plot of The Death in the Drain Pipe, coming to herself with a start and an incipient stomach-ache an hour and ten minutes after she was due at an important luncheon party given in her honor.

I wish you would always have Miss Marple and not Poirot," and the other "I wish you would have Poirot and not Miss Marple." I myself incline to her side. I think, that she is at her best in the solving of short problems; they suit her more intimate style. Poirot, on the other hand, insists on a full-length book to display his talents.

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.

It's a tradition in our family that the girls all be given crazy names, usually picked out of Gothic novels.

When you are young, hone your craft and write shorter pieces instead of novels, because it's really hard to finish a novel.

Honestly, not being evasive, but the great thing about Bond is that I have fifty years of movies - 23 movies and all the Ian Fleming novels and short stories, all of which are fodder. And when I'm working on the new Bond, I'm constantly going back to Fleming and the other movies - what are the bits and pieces, what are the resonances?

A lot of period pieces we see are adaptations of novels - we always know the story.

Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.

I've never written a movie, I'm not in the movie business. I go out to L.A. and I'm like everyone else wandering around in a daze hoping I see movie stars. I write the novels that the movies are based on, and that feels like enough of a job for me.

I have to have three or four books going simultaneously. If I'm not impressed in the first 20 pages, I don't bother reading the rest, especially with novels. I'm not a book-club style reader. I'm not looking for life lessons or wanting people to think I'm smart because I'm reading a certain book.

When I was starting out, I did not do short fiction well, because I kept wanting to write books.

And I know I'm supposed to feel guilty for wanting people to buy my books... and books in general? Novels and poetry, they belong to the realm of art. How dirty of us to try to hawk art! But, after a decade of hand-wringing and apologies, I can't quite muster the guilt anymore.

We become attached to certain characters in novels, mostly because they have some mystery attaching to them. We re-read the books, but we're still left wanting to know more. In my own case, it was 'Great Expectations' and Miss Havisham in particular. Luckily, writers have the option of making up the knowledge that reading doesn't supply.

People read vampire novels and say, 'Oh I want to read another vampire novel.' People read fantasy, and they're like, 'Oh I love fantasy.' I don't know that people are necessarily finishing 'Hunger Games' and immediately wanting to read another dystopian tale.

Novels set in distant places give us expectations not unlike those we have of travel writing, and often the distinctions are blurred, as in, say, the way the low life of Tokyo's Shinjuku Ward is depicted in John David Morley's recent 'Pictures from the Water Trade.'

I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the 'Time Warp Trio' novels, take a little longer to write - more like four seconds.

I was writing novels at eight. It was a science fiction epic, which went by the unimprovable title of 'Another Kind of Warrior.' I'd write it beginning to end, but when I'd finished it, I was another year older. The quality of writing and thought changed radically, so I'd start it again. I re-wrote that same book until I was 16.

There are similarities between historical novels and science fiction. Being thrown into the Napoleonic Wars is just as much of a different world as space.

I was never interested in writing novelizations. I'm still not. Especially not for 'Star Wars.'

'Star Wars' novels that focus on a single character are few and far between.

Secrecy is the underlying mistake that makes every innovation go wrong in Michael Crichton novels and films! If AI happens in the open, then errors and flaws may be discovered in time... perhaps by other, wary AIs!

I had bohemian parents in Seattle in the last '60s living in a houseboat. My dad wrote science fiction novels and painted big murals and oil paintings.

My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.

I knew how incredibly rich 'Valerian' was visually and the adventures the heroes go through. They are one of a kind. They have nothing that you can compare with DC or Marvel. They're not superheroes they're just heroes but they're also human beings. And there was also something there that I always liked. In these novels, there was a lot of humor.